(604) 683-9623 Potters Guild of British Columbia 1389 Cartwright St., Granville Island Vancouver, B.C, V6H 3R7 NEWSLETTER FEBRUARY 1991 ISSN 6319 812xz “CHOOSING CLAY” OPENS The exhibition “Choosing Clay’, sponsored jointly by the Potters’ Guild and the Canadian Craft Mu- seum, opened on January 10th al the former Cartwright Gallery. The evening event was very well attended, and to Tam Irving and Lloyd Her- man we owe our thanks for organiz- ing the exhibition. As well, Terry Lewis who has recently joined the Craft Museum, is to be congratu- lated on his set-up of the show. We congratulate the fourteen ce- ramic artists and potters, whose work makes up the exhibition, on a distinetly strong body of work. To Gordon Hutchens and Lea Mann, Charmian Johnson and Jane Williams, Sam Ewan and Lari Robson, David Lawson and Garry Graham, Jeannie Mah and Friederike Rahn, Jim Thornsbury and Gary Merkel, and to Kathryn Youngs and Connie Glover, THANK YOU! The exhibition cantinues at the Canadian Craft Museum at 1411 Cartwright St, VWaneouver, until March 24th, and will travel to Prince George, Kelowna, Castlegar, and to Branton, Manitoba at dates ta be announced later. The Craft Mu- seum has also informed us that Ceramics Monthly magazine will reprint the catalogue in the March tssuc. Loole for it. Terry has organized an evening to meet the artists on February 21st from 7-9pm. Twelve of the fourteen participants will be in attendance at the Canadian Craft Museum. Re- freshments will be served. For Guild members who are unable to visit Vancouver in the next tao months to see the show, we would like to make the catalogue available to you. Rather than send the total membership a copy and thereby possibly double-deliver, please phone the Guild office or drop us a line, and a catalogue will be put in the mail for you, It is an exhibition to be proud of, and you are encouraged to visit or to request a catalogue. PAUL MATHIEU WORKSHOP The number of registrants for this workshop at Emily Carr College of Art and Design on February 16 and 17 is at time of writing only seven. This situation ts less than encour- aging, and so to remind you of the event, the following is a portion of Mathieu's statement which accom- panied his exhibition at Prime in Toronto in June of the past year. “Bowls, plates, vases, teapots, in many configurations. Some single, alone. by themselves, others in f@roups, loosely formed or organized. Some familiar stacked dishes pieces. Covered with Dowers, colourful. The immediate impact is colour, the highly decorative surfaces.” “Two pieces stand out from the rest. The newer work called “Garnitures”. Each one is composed of five pieces: a bowl, avase, acovered bowl, avase and another bowl, in that order, Presented as a group, they form a (Continued on Page Seven)