ie Above, Participants Donna Mundell, Donna Sequine, Leo Foisy. Below: Producer Allan King. Right: Unemployed get together without the help of psychoanalysts. Who’s In Charge? An assault on the jobless By DOUG TAYLOR and STAFFORD NEAL CBC television recently aired producer Allan King’s controversial film Who's In Charge? Controversial be- cause six of the participants in the film sought an injunc- tion to block the program which had been billed as a special on ‘‘A Working Conference on Being Employed and Unemployed’’. The conference was initiated by King and Gordon Laurence of the Tavistock Institute which studies groups dynamics “particularly with re- spect to authority, leadership and organizations’. As it turns out, this film had little to do with the experience of unemployment and is purposely exploitive. Who’s In Charge? selectively focused on the reactions of 30 unemployed people who were supposedly brought together for a four day conference on unemployment. The conference was held at a retreat in Orangeville, Ontario. When the conference began, some participants expressed concern that the conference not just relate experiences or the latest sob story but rather that it deal with the causes of unemployment and possible solutions. One of the participants quips that they don’t want to be “put on display like zoo animals’’. The managers of the conference, three professional psychoanalysts, re- sponded that they were free to discuss whatever they wished but then proceeded to confirm those fears. The conference was structured to ensure group isola- tion, social intensity and a lack of conscious direction. However, on the first day of the proceedings particip- ants expressed almost unanimous dissatisfaction with the format and the seating arrangement — chairs had been arranged so that the participants all faced the con- sultants. According to one participant, this created a boss-worker relationship and fostered feelings of intimi- dation and weakness. Asa result, on the second day, the participants voted to change both the format and the chairs. TEE ee “We were lead to believe that it was going to be a real working : conference of unemployed people. Instead, it was an experience which degraded and dehumanized us ...a laboratory experiment in which we were the guinea pigs’’. UT ee Te OTOP CE The seating,arrangement was altered and the particip- ants began, one at atime, to express what they saw as the reasons for their unemployment. They also discussed - what they thought should be done. — This format worked well and it seemed as if the par- ticipants were going to be able to break through the false parameters the producers had defined for them. But after ten participants had spoken, the bosses succeeded in diverting the participants away from the picket lines of protest and back to the padded rooms of the personal. From that point on the discussion deteriorated into an endless cycle of despondent personal accounts. When the participants — provoked by the consultants — broke down in a hothouse of tears, sob stories and ‘violent anger, Allen King captured it all on film. ad King and his consultants were so successful in emo- tionally breaking down the participants that one of the unionized technical crews walked out in disgust over both the treatment of the individuals and the content of the tape. In the control booth, a switcher spent much of her time weeping uncontrollably in response to the humiliation she was witnessing. : The participants felt betrayed. As Chuck Cauthier, a member of the CAIMAW union in British Columbia remarked in a letter to other participants after the con- ference was over: : ‘We were lead to believe that it was going to be a real working conference of unemployed people. Instead, it: was an experience which degraded and dehumanized us wee a laboratory experiment in which we were the guinea pigs. Another participant, Ron St. Pierre, a laid-off Allen potash worker and vice-president of USWA Local 7589, shared similar feelings. He recently told Briarpatch that “six months later, I still get very emotional ... The reason I went was because I thought I could speak for a . lot of people, but they wouldn’t let me ... They kept going for the personal, provoking artificial reactions, promoting feelings of animosity. I didn’t want to learn how to cope with being unemployed. We all wanted solutions.” j Such a feeling of futility had emerged by the fourth and final day that the participants were left with no alter- native but the historical remedy of resistance and rebell- ion. In an attempt to leave the conference with a solu- tion, the ‘subject of revolution was latched on to. Al- though the resulting video tape gave a disproportionate amount of time to the discussion about revolution, Ron . St. Pierre, who kicked over a chair in an attempt to shake some sense into the session, stated that the discussion took place in the last hour of the day. The participants realized they had been led down the garden.path. Although there had been no script, the producer had had a pre-planned strategy. It was their desire not to allow the participants to express their view. Rather they were to express the analysis of the producer, based on an ideology, that unemployment is an individ- ual problem. According to King and his consultants, ‘‘unemploy- ment is something like a death in the family’’. It is inevitable. All we, the unemployed, can do is simply accept and put up with a situation and “‘get in touch with our feelings’. They call this the adult approach as op- posed to the less-than-adult manner in which the un- employed conducted themselves during the conference. Kings stated that ‘‘most of us wish that our union, our employer, our government at every level looked after us perfectly ... The consultants’ view was that feelings are bits of leftover childhood . . . (The fact) that these wishes aren't answered produces frustration and anger.”’ As Ron St. Pierre commented afterwards: : ‘*They were trying to get us to believe that we were a bunch of cry babies and that Something was wrong with us. The consultants seemed to play the role of govern- ment, like the government doesn’t care. They were try- ing to see how far we could be pushed, like how far they could push the whole population before someone fought back.”’ : ILIVING WAGES HARE TOM UISKGN ise Z St. Pierre ended up playing the role of three per cent of the population reacting violently to the deaf ears of government. He realized immediately that he too had been manipulated for the viewing enjoyment of video | voyeurs. “‘After I kicked over the chair, I was mad at myself. I had fallen into their trap. It was exactly what they had wanted me to do.”’ In a written response to St. Pierre afterwards. Allen King admitted what his true intentions were with respect MM “After I kicked over the chair, Iwas mad at myself. I had fallen into their trap. It was exactly what they had wanted me to do.”’ MMM to.the program. King said ‘‘the television program based on the conference will convey in the most powerful possible way the human cost of unemployment and the _ e intense personal distress it can cause.’’ And he added, “For an audience to experience the experience of the unemployed is the most powerful way to move them to act on the issue.’’ But how many unemployed workers does it take for an employed producer to experience the experience of the unemployed? According to St. Pierre, ‘“‘the ends do not justify the means.” : Although it is too late to undo the damage that was done to those involved we can send out a warning. A warning to resource and educational groups, trade unions and organizations of the unemployed, who in their desire to inform the public and support the un- employed, might mistakenly think that this film has some value. It does not. The film has nothing to do with the experience of unemployment. What it does have a lot to do with is how ordinary people, when placed in a structured, manipula- _ tive environment can be thrown into a group encounter session by deceit, stripped of their emotional defences and subjected to a cruel psychological experiment. Perhaps to Allan King’s dismay, unemployed workers in Canada are getting together without the help of psychoanalysts or the Department of Manpower and: Immigration (who funded the conference to the tune of $75,000). Unions and committees of the unemployed have sprung up in every major centre in Canada. They meet to collectively discuss and act on fighting for jobs and dealing with the many real problems facing the un- employed. In the years to come, these groups could become a major political force. - Allan King and Who’s In Charge? educated no one, misrepresents the experience of unemployment and cruelly exploits a group of people under the guise of helping them. The only beneficiary is Atlan King who has _ added his name to a growing list of those who find the _ plight of the unemployed a ripe subject to build a career on. King has indicated that ten half-hour ‘‘training prog- rams’’ and a feature film are also being produced from the conference. We suggest that they be titled, ‘‘They’re In Charge Again!’ or better yet, ‘A Parasite in King’s Clothing”’. Bo — Briarpatch 20 e PACIFIC TRIBUNE, MAY 2, 1984