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rape 1, . ” eras, teal ADEN oy

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Lost Satellite sho

; deal a. ata blow. to the |
- fledgling program? =. |.
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Loat Satellite’ convinced " ithe SCTV clone’ have been, -Loat Satellite 1s a product of

DMONTON OP “as the initia! home base for were. sot . wl \

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Only” ‘question’: . the) United * States. ae _TFV.and Superchaninel. "|... roblems ‘for. the “show's” ! fare, going 0 far - ay, away! me fy $e oh
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ns Telecommuynications: : Edmonton's ITV television .” doing their own prodyetions “but. wold cot. say’ whether 2 : a i

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THE RESDURANTFOR ALL ALL THEEAMILY!

junoay. MAY 1

' goth isalori felis that would
"_ Independent producers,

“PORONTO (CP) — As
“dark as the winter's night
may. be, there's always a

glimmer of- guiding Hght

_ shining through.

“This stims up a showing of
. more than 70 paintings and .

+ other works by Maurice
’ Cullen, the Montreal
- landscape artist who In 1908
was a founding member of
- the Canadian Art Club, the
leading exhibitor in its day
of Canadian: impressionist

- palntings.
on first scholarly’ study
“Cullen's works in
tesiien, organized by the
Agnes Etherington. Arts
“Centre. at

: Ont. | it currently is at the

“NEW YORK (AP) —
sits thére In a‘ quiet corner
‘of. the . delicatessen, 7
* formidable, august-looking
~ matin the September of his
' years. The waitress arrives

totakehis order,

:" “Bacon, egge and some
toast, please,” says John
' Houseman. His tone is

or using. their on facilities :
for “auch veritures,- as tie.

" minimize ‘opportuhities for

Ed Richardson, executive”
"producer of The. ‘Lost,
* Satellite and manager of.
» ereative - Gevelopment for .:
.” Superchannel, sald the first’ ©
|’: two. eplaodes: escaped - -the
_Teatelction because, they

~ Guiding

Queen’ 4. remarkable “

University in. Kingston, |

‘He:

Richardson,

-the show, they we'll'sell it to
somebody else.”
~ Richardson sald. it" Isn't

likely. the ‘how ‘would, be-

taken’. to diferent

“art Gallery of Ontario and

will travel later. this year to
Hamilton,.. ~. - Ottawa, ”
Edmonton arid the Montreal
Museum of Fine Arts. -
‘Robert Swain, director of
the Etherington gallery,
says. in’ the. ° catalogue

prepated by.- guest curator

Sylvia Antoniou of Ottawa
‘that Cullen “is. another of
those figures whose name Js
known, whose life ‘is not;
whose - worke. have: been

- gollected . and sometimes

ilustrated, but not often
seen,”

. He | describes ‘Cullen's

“an art, . of
‘apirit--. an
visual - delight, -- an
‘immediate art bound. for

work. 88

‘Houseman busy

: The: career is varted, It
includes not only : ‘theatre,
but radio ~~ notably the War

of the Worlds dramatization. le,
“North

America somewhat in- 1938; -
film producing, the works

‘{neluding The Blue Dahlia .
and Lust for Life, and film .
acting; notably the Paper .

that . .. alarmed -

Chase. that eared him’ an:

: leasant, ‘his manner

cr Dhewtpotriting, - _{p-- Olicar- In 1972 and Aled- to -a~"

"Soup! ‘Salad + you expect him to come on CBS teries of the same ©

jike that. crusty, cold-ayed . ;
Mashed or Baked Potato ~~ playéd in The Paper Chase. ‘ropped. But after.
. Vegetables He's B)now, but still busy, completing co-star's_ work
Dessert ; “His current project: in ABC's Windsof War: mini-~
Tenor Coffte:_ Directing an off-Broadway series, Houseman went

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revival of Mare Biltztein’s
The Cradle Will Rock. He

: dipst produced It in 1087, The
director then was a young

_ fellow named Orson Welles,
with whom Houseman laer
| helped with the film classic,

' Citlzen Kane. wae .

_ The new Cradle opens
. May 9 and runs’ through
May 29. Houseman calls it
“a wonderful; wonderful -
plece, full of memories for
me, mo, ; .

Houseman, born. in
Rumania and raised in
England, the son of a
wealthy grain merchant,

“has been involved in show
business. since 1934 when,
“by ‘pure accident, like so
many things in my life, I
met Virgil Thompson.”

“Thompson hired him’ to

- produce and direct his

opera, Four Saint. in Three
Acts. And, Houseman says,
“at that point my ‘career
was determined. That was
it. id

| | Congratulations
GRAD ’83

_ back to the groves of:

academe. He recently made

Seven new . Paper Chase

episodes that are due for a
cable-TV showing later this.
year.

If that : and directing
Cradle aren't. enovgh . to.
keep him busy, he’s also
writing-the third volume of.
his autoblography. And.
doing 40 to 50lecturesa year
— mostly at colleges — on.
the . - subject _ of show .
business.

Funny. thing ig, he never.
really set Gut to produce,
write, direct or act, He
loved: ‘show business but |
~reluctantly . followed his
father into business. And as
& young man he made a
’ fortune . here as a wheat
"broker. _

Then he was wiped out in: -
“the. stock crash. He says

he's glad it happened. “A.
little bankruptcy never hurt
. In fact, it was a liberation :

forme. T waa then able to do
what I wanted to do."

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progress. had been | made.
however, © fr
stressed The ‘Lost ‘Satellite

“would not’ be scrapped. a on
> think: At-would be foolish,” ~
he sald. “It it’s deemed that ~
Superchannel cannot take.

partis

we're hot ;
now.” zs
Richardson said the :
holdup is‘the weather, since.’
half of the show ig shot” at

“interrupts: «
exterior locations, ara

: » Programs,

lights shine. through

studied. painting In France‘
before ‘the turn: of the
-.century, He had a sttong speaking
-Anfluence on generations of.

popular if quiet appeal.” ”
Cullen was. bom “in
Newfoundland in’ 1866 but
grew. up ‘In Montreal and.

ly revolves. araind , a lost: .
- satellite dn. Space: “which -
‘, conventional
“sald

7 suggestively:: ‘Lato: the -
“* camera while | a ‘bared voice
; tells the viewer to join..in
: jand, “Breathe. “Breathe.”
. Another Js. a game show

Walter, :- :--in _ whieh
participants - are: “asked to |
, Random,

" artiats - “from’ both - the
English-and'- © French:
communities,
including William Brymner,

ve oa ‘on. ‘lempooning - tele

 palaaling ‘music, ‘outing

“with ‘the ti Smells; ‘Like *

ARentity the : owner of

dark nights

’ often. reproduced ‘in. -high-

- . hy : : . moe

Record Reviews Don schatter |

_ school textboocs, ” are

’ - musie with no’redeeming social value
' whatsoever, and in fact sll three ‘of ‘the

BLINDED BY SCIENCE. Thomas Dolby.
Harvest Records (MLP-1507), _
Thomas Dolby’s Blinded By Science, a

selection of cuts off his first album The _

Golden Age of Wireless that got. goosed
with a little extra production and slapped
ona mini-LP, is one of the few short long
players’ that’s worth the money.

The big hit, of course, Is She Blinded Me 7

With Science, ‘an engaging techno-rocker

made all the more fun by the Interjections .

throughout by honest. to-Pete scientist Dr.

Magnus Pike, ‘That cut.and the other on.
side one, One of our Submarines, make the,

$5.98 price worthwhile, since the first Is a - -
neat-dance-tune-with-a-sense-of-humor,-—--
rare in the electronic music category, and

the next is a semi-serious ballad about a

missing sub somewhere in a channel Tun ©

aground,

One of our Submarines Is a surprisingly :
~ successful, mood. piece, hypnotic and

interesting at the same time, and just to

prove how good it ‘is, it's “Nstenable’
throughout ‘the . entire seven minutes it.

runs, Good stuff,

“Side two is a bit less ear-catching but a
still worth putting on. Never boring and. ~

sometimes darn good, Blinded by Science
almost makes you want to go. out and by

. ithe LP the songs came from, just to hear if

_ they're anywhere near as ‘goad. .

THE SAFETY: DANCE, Men Without
Hats, Statik Records TAK 112,

On the cover; The Safely Dance is billed ~
as the “extended club mix’ of a single -
that’s been around ‘awhile; in: fact since

Men. Without Hats’ first album came out

last year. This is a 45 rpm extended play

tZinch single, geared specifically for those
__ who don't mind getting up and changing

- therecord every four minutes and shelling

outa whole pack of bucke for three songs;
_ The songs aren 't bad, if you like dance

: Sound in’ Terraesi: eS

numbers in the package are all right, But,
you know, they aren't all that great and if
you really Ilke the songs, why not buy the’

whole album’ ‘for just-a + couple of bucks:
7 more? .
‘ “CARGO.
- Records’ (Qc 38660), -
.-” ‘Fhe paranoia that showed up in Men At
-Work’s first single, Who Can It Be Now,
— seems to-have overtaken the fe on its

Men ‘Al Work. ’ Columbia

second album, Cargo. Sort of] a reverse
effect of success, in which
putting out anything and expecting people
to eatit up, head writer Colin Hay seems to

* feel that.no matter what he does no-one

will like it.

_. Cargo's- mood is very. ‘different than
Busineds as. Usual, their first ‘record.
While that one was mostly upbeat with just
a couple of reflective songs, Cargo is
mostly. reflective with only two or three

really bouncy numbers, "But it’s good. - .
In fact; Cargo Is probably a. better

? a. record than Business, alth it's a bit’ |
.. harder to. get into. Bae Usual

reached right. out and grabbed you from
~ the moment you put it on, while the music

on Cargo sort of sneaks Wp on the listener.
and lakes two or three Ustenings to really’ .-

* captivate;

‘painting borrowed ‘fram the

- the ‘church — facade . which

ther, than © offer: comfort in. the ‘eold.

_ hopeful element .in nearly

© Christopher. Gare; ane of
the: "performers, * : “olen "t
worrted ‘about the: inevitable
‘comparison to SCTV,:

mora giveri the. opportunity
to get aff the ground, I think
Loal Satellite will be funnier
than: scry, " whe sald.

Mare-Aurele de Foy, Suzor-
Cote, Clarence- Gagnon, J.
W. Morrice, Edwin Holgate
and Robert Pilot: : -

His best-known Works,

snowy, wintry scones, like
St. James Cathedral seen in.
" -mnowstorm | across
Deminion Square in
Montreal’ with a “bine of
horses, hitched. ‘to . thelr
habitant- stylesl sighs,
hanging their” /sheeds
forlornly. 7

But ‘even here _
something “that: - often
poorly “oa “dn
reproductions of ‘the 1916

Beaverbrook: Art: Gallery in
Fredericton — ‘there are
lights shining through from

“And light, - , ‘almost
invarlably ‘ahining: through
from’ behind - the: main
picture - subject, is. ‘the

all of Cullen's work on
display.

‘Scheider |
| Versatile.

BEVERLY HILLS, Clif.
(AP) — “No, not, another
cap movie,” sald actor Roy

- The basic sound is still the same: Colin
. Hay's distinctive, nasal -vocals, lota of

guitar from Ron Strykert, the saxophone
+) melody lines aad the’ slightly reggactied

beat still remain from the first album
although a bil toned down, =~

Most of the darker mood on Cargo comes
from Hay's lyrics, though, The two

i Strykert compositions, Settle Down, My
Boy and [ Like To are most like the mood
from. the first. album and lack- of ;

introspection of most of Hay’s material;’
For instance, the opening, words to Blue
for You:

see the light ...°’ Or how about these from.

Overkill: “I can't get tosleepI think about
the implications Of diving in too deep And -

possibly the complications, . : It's not
exactly Man Down ‘Under, but the Men

seem to carry this all off without becoming

depressing in the least,

Their musical, Ipfectiousness ds the key.

_ to the success ‘of the record, as it was on
the first one, and. it's ‘not -all downbeat,”
. after all. If you give it a couple of turns on

the box, you'll like ita lot, ‘If you Rive ita

_ Records donated fer review by sien and

. the theatre, But in filma, he
” the pallee image... That's

; ‘forthcoming Blue Thunder?

. uniform in the movie,” he

“Sometimes the sun shines in -

And Iclose the blinds Cos I can’t stand to Los... Angeles

_nightmares. He is entrusted

three pages of the script, I
. . Couple more, you may even. like . Cargo.
" betler’than their first. wot

said, . ‘Oh, mo, ° not
helleopters,”’ |... ‘Scheider
© Tevailed. ., “Té- brought | up

“Serving Fi ine actly 7 days a. a week?” -
Breakfast, tunch and dinner .
635 4307

. making... The “ Sorcerer.
Every -day. “‘Tteok a
-helicopter: ‘75 miles ‘from
Santo “Domingo - into the
‘jungle and back -at. night. "

the script, I sald, *Walt a
~ minute,’ this could: be" not

" pictire but: one : with an
“impo

~ Departinent ‘reeénily | said it
planned)" to’ “buy ; spectal

-_ |» helicopters*in time to deal
= with paste ©

2 probleme. dlurliig : the "1084
+” Summer: Olympics,.. which
ak wlll be held si Loa Angeles.

Scheider’s agent, ‘Not after
what we've been. ablé to
accomplish: with All That
Jazz,"" -

The. agent had cause for
concern. Scheider proved
himself a versatile actor in

has been overwhelmed by‘

because of two enormous
hits, The French Connection
and Jaws. . -

All That Jaze seemed to.
, change that. He portrayed a
choreographer ‘with . heart
disease in Bob.. Fouse's
autobiographical movie and
earned a nomination from
thé Nattonal Academy of |
Motion Picture Arts and °
Sclences. -

So. why would he. play
another. cop’ in -'the .

“You notice 1 never wore #

gaid. ° ..

“And he doesn't He plays
Police
Department - helicopter
pilot, a Vietnam, veteran
still. haunted by.- war

to test the - federal
government's . newfangled
plane, desi ed to seek and:
‘destroy - terrorists .~ who
might - disrupt the 1904
Olympic” Games."
““When [read the ‘first.

‘memories. of when 1 was

“But when I read more of

only, ‘ao very” Commercial

The: LoaAngeled Police

camera-equipped

- security