SS ~ SS BARD TO BE HONORED. Scotland’s ploughman poet, Robert Burns, was born January 25, 1759. This year his. memory will be honored at a Burns concert and supper at the Capitol Hill Commun ity Hall, Howard and Hastings Sts., North Burnaby. The concert, which starts at 8 p.m., will feature a talk by Tom McEwen, the Mile stones and other excellent talent. Tickets are $1.50. Reserve by phon- wide variety of plays The Metropolitan Co-operative Theatre Society, which has been Making a name for itself in Van- Couver, announced last week its Program for the second half of the 1964-65 season at Metro Theatre Centre, 1370 S.W. Marine Drive, “Babes in the Wood” which winds up Saturday, Jan, 16th, will be succeeded by the follow- ing productions: Jan, 22-30; “Blithe Spirit,” by Noel Coward, will be presented by the Richm ond Community Theatre, Feb, 5-13; “Arms andthe Man,” by George Bernard Shaw, This Comedy will be presented by the Emerald Players, New Party H.D,, ARROW PARK, B.C., Writes: Robert Thompson’s pro- Posed formation of a new“centre Tight” political party for Canada Points up the complete disrespect for truth by many of Canada’s elected politicians, Coming as it does when the Liberal ang Tory parties have aS representatives of the “right- wing element of our society, together with the national Social Credit party, failed to win any Tespect, as such, it must be estimated that this Thompson Centre right” proposal seeks to Unite all the discredited elements of these parties into some new Feb, 19-27: “The Crucible,” Arthur Miller’s powerful play against witch-hunts, It will be presented by the Vancouver Theatre Guild, March 5-13:“Bernadine,” which will be presented by the Vagabond Players, March 19-27: “The Mikado,” popular Gilbert and Sullivan pro- duction which will be put on by the Greater Vancouver Operatic Society, In April, three productions will be offered, “Twilight Walk,” a murder-mystery; “Send Me No Flowers,” bythe Vancouver Little Theatre; and “The White Horse Inn,” a musical comedy by the North Shore Light OperaSociety. shining camouflage, a la Barry Goldwater? Mr, Thompson’s attachment of a “centre -to-centre right” party is only to make more palat- able the unholy hoped-for unity | of the exploiters of Canadian effort and intellect, Even our own Premier Bennett repudiates the word “right” and the proposed “centre-right” party. No doubt this is due to the inherent re- pugnance of an ever-increasing number of Canadians to a Gold- water caricature in our political life, In a society where modern in- dustry forces more and more people together, and we become more interdependent on one an- other, and where nations them- selves become interdependent, Socialism provides the only an- swer, not more parties of the “centre-right” variety, Let us hope the expressed desires of the Thompsons, Dief- enbakers, Pearsons, Goldwaters et al will soon be classified as they should—on the garbage can of history! Gripping, terrifying film with a frightening impact he most depressing aspect | of the kind of cinema that comes from Hollywood and its counterparts is. that no matter how serious its content, no film must ever fail to build in box- office come-ons, Even aserious political picture is required to intersperse enough stereotyped purple fiction to * en- tertain,” So says Mr. Moneybags, imposing his greedy lack oftaste on the rest of us, Still, we cannot place the entire blame on him; he too is restricted by the ado- lescent mental age of the U,S, public, an arrested development he helps to perpetuate, That is why uncompromising films — real “art films” that _ tackle the truth—almost never happen in that country but have to be imported from more mature countries, These thoughts are called forth by Fail Safe, inits political argu- ment a stern polemic against the inherent tragedy of the arms race; the cas ea - dominated monster of “preparedness,” Yet before the first five min- utes are up, we’ve had an un- necessary and contrived scene with a tart getting her face slapped and a “prophetic dream” which . . . well, you know how they go. Director Daniel Mann makes as short shrift of them as he can, and what happens in most of the rest of the film is dyna- mite, It may not be as brilliant as Dr, Strangelové (except the final montage culminating in the ‘ H-bombing of New York) but with straight treatment rather than satire, it carries a fright- ening impact, A nuclear -strike against the Soviet Union is triggered by me- chanical malfunction, When the error proves irreversible, nego- tiations are initiated by the U,S, president (Henry Fonda) with the Soviet premier, who listens to reason and holds back massive retaliation, In the end, however, Moscow is bombed and New York must meet the same fate to avoid nuclear war and universal de- struction, The point is made and under- scored that the more complex machines become, the more prone to subtle malfunctions; the more efficient they become, the more they react too fast for human reasoning to counter-bal- ance the consequences, If they comprise a system for making war it is only a matter of time until the machines win, Fail Safe is a gripping film and terrifying, It is a direct plea for sanity in a world on the brink of destroying itself, It says firm- ly to the audience: the arms race, hates and suspicions must be replaced by peace! —N.E. Story Soviet U nion and W.W. 2 THE SECOND WORLD WAR: by G. Deborin; Progress Publishers, Moscou, $2.25. OPERATION BARBAROSSA, The Battle for Moscow 1941’ by Ronald Seth; Copp Clarke Lid., $5.50. itler’s idiocy, “General Winter” and Zhukov’s de- fense tactics were responsible for the saving of Moscow, ac- cording to Ronald Seth, describ- ed in the publisher’s blurb as “an expert in military intelli- gence,” An understanding of war re- quires more than a knowledge of military strategy and tactics; a grasp of politics and econom- ics are at least of equal impor- tance. Herein lies Seth’s weak- ness — in contrast to Soviet author G, Deborin, “No appreciation of the Sec- ond World War, its course and outcome, its results andlessons, will be correct if it overlooks Headquarters — left for Kuibish- ev, 500 miles to the east. On Oct, 19 the Defense Commit- tee announced a state of siege in Moscow and the adjacent areas. “It took supreme courage, combat skill and immense will- the role played in it by the Power to withstand the ferocious people,” says Deborin in his book, a politico- military survey. “This is why the story of the greatest war in history is not a story of military operations alone, In the middle of October 1941, the Soviet government — with the exception of Stalin and other members of the Defense Com- mittee and Supreme Command This monument to the great Battle of Stalingrad is being built on the legendary Mamai mound in the city of Voluograd. It personifies the heroic struggle of the Soviet people against German fuscism. German onslaught,” writes De- borin. “The Soviet troops stood their ground, Moscow’s popula- tion pitched in might and main, More than 50,000 citizens came out to build fortifications in and around Moscow. The first nazi offensive against Moscow foundered; in despera- tion the Germans decided to mount a second, Again they were badly mauled, and the Soviet Command began preparing a counter-offensive, When they launched devasting counter- blows which threw Hitler’s for- ces back some 200 miles, the legend of nazi “invincibility” was smashed for all time, Seth’s book is valuable to mil- itary buffs because it includes several detailed maps showing how the major battles around Moscow were fought, Deborin, probing deeper into the political aspects of the con- flict, points out that the outcome of the Moscow battle added to the contradictions within the fascist coalition; it also ushered in a new stage in the liberation movement of the European peoples, In The Second World War, author Deborin attempts, in 547 pages, to cover the political and military scene from Munich to Japan’s surrender, —Bert Whyte January 15, 1965—PACIFIC TRIBUNE—Page 9