Bert Whyte'e SPORTLIGHT ‘Acc ing to Freud, young priest is trying to protect the egg ~ Worshippers cheer as young priest protects egg for love of Mother ‘ the eg first j Obviously - football is a syndrome of religious rites symbolizing the struggle to preserve g of life through the rigors of impending winter. (At least, so says an article printed n The Rocky Mountain Bulletin, which provides a new insight into the game, which — we hope —. our readers will take in the spirit in which it was written). The rites begin at the au- tumnal equinox and culminate on the first day of the New Year with “great festivals identified with bowls of plen- - ty; the festivals are associat- ed with flowers such as roses, fruits such as oranges, farm Crops such as cotton, and even Sun-worship and ~appease- ment of great reptiles such as alligators. _ In these rites the egg of life IS symbolized by what is call- €d “the oval,” -an_ inflated bladder covered with hog Skin. The convention of “the Oval” is repeated in the archi- tectural design of the vast out- door churches in which the Services are held in every town and city, also in the greater Centres of population where an advanced priesthood per- forms. ; These enormous _ roofless churches dominate every col- lege campus... and bear wit- ness to the high spiritual de- velopment of the culture that Produced them. Literally Millions of worshippers at- venga Subconsciously, these hordes of worshippers are seeking on outlet from sex-frustration in anticipation of violent: maso- chism and sadism about to be enacied by a highly-trained Priesthood of young men. Foot- ball abviously arises out of the Oedipus complex. Love of mother dominates the entire Yitual, The churches, without ©€xception, are dedicated to Alma Mater. The rites are performed on a rectangular area of green grass oriented to the four di- rections. The grass, symboliz- ing summer, is striped with ominous white lines represent- ing the knifing snows of win- ter. ‘The ceremony begins with colorful processions of music- ians ~ and semi-nude’ virgins who move in an out of ritual- ized patterns. This excites the thousands of worshippers to rise from their seats, shout frenzied poetry in unison and chant estatic anthems through which runs the Oedipus theme of willingness to die for love of Mother. . The actual rites performed by twenty-two young priests of perfect physique, might ap- pear.to the unititiated as a chaotic conflict concerned cnly with hurtling the oval by kicking it, then endeavor- ing to rescue and protect the egg. However, the procedure is highly stylized .. . The group in so-called “possession” of the oval’ first arrange themselves in an egg- shaped “huddle” as it is called, for a moment of prayerful meditation and whispering of secret numbers to each other. Then they rearrange them- selves with relation to the po- sition of the egg. In a typical “formation” there are seven priests “in the line,” seven being a mystical number as- sociated not, as Jung purists might contend, with the “sey- en last words,” but actually with sublimation of the “sev- en deadly sins” into “the sev- en cardinal principles of edu- cation.” The central priest crouches over the egg, protecting it with his hands while over his back-hovers the “quarterback” The transposition of “back quarters” to “quarterback” is easily explained by the Adler school, To the layman the cur- ious posture assumed by the “quarterback”... immediately Suggests the Cretan origins of Mycenaean art, but this popular view is untenable. Ac- tually, of course, the ‘‘quarter- back” symbolizes the libido, combining two instincts, name- ly (a) Eros, which strives for even closer union and (b) the intinct for destruction of any- thing in the path of Eros. Moreover, the “Pleasure-pain” excitement of the hysterical worshippers focuses entirely on the actions of the libido- quarterback. Behind him are three priests representing the ‘male triad. At a given signal the egg is passed by sleight-of-hand to one of the members of the triad, who endeavours to move it by bodily force across the white lines of winter .., At the end of the second quarter, implying the summer solstice, the processions of musicians and semi-nude virgins are re- sumed... T A RECENT hearing be- for a U.S. Senate commit- tee in Washington, a famous doctor testifying on the nar- cotics racket said, “The prob- lem we have to face is that the drug addicts we treat don’t get over it; sooner or later, ~ they all go back on dope.” One witness waiting to testi- fy couldn’: let that pass. ‘Here is a fellow who didn’t go back and who'll never -go back,” he shouted. The doctor took a good look at the interrupter, then grin- ned. “Oh, Barney Ross,” he said. “Well, you’re an excep- tion.” In No Man Stands Alone, the former lightweight and welter- weight champion tells how he became a “junkie” and how he managed to kick the mon- key off his back. It’s a battle that has to be fought again every day, but 10 years after he took the “drying out” cure at Lexington, Barney is still part of the. one percent of patients who have never gone back on drugs. That's a slim percentage, and Barney Ross realizes that something must be done for those 99 percent who fail to “kick the habit.” “The addict should be treat- €q as a sick man, because that is what. he is,’ writes Ross. “Putting him in jail doesn’t do anybody any good. He should be sent for the cure and his case should be followed up to see if he can stick to the cure. If the doctors become certain that he can’t — and for the oldtimers particularly, we know there is no hope — then, in my opinion, we should treat him thé way the English de, namely, give him the dope he needs through a govern- ment clinic.” - Ross’ proposal is in line with a similar proposal made by this writer some years ago in the Pacific Tribune, and I make no apology for giving it so much space ‘in a sports column,. because. the. drug problem is a major one in Van- couver. The U.S. Communist leader, William Z. Foster, also advocated this solution in his book, Pages from a Worker’s Life. Only a small part of the Ross story (written by Barney with the aid of Martin Ab- ramson) deals with the dope question. : The rise of Barnet David Rasofsky from a Chicago ghetto to fame and fortune as Barney Ross, lightweight and welterweight champion of the worid, is told in simple ex- citing prose. Chicago was a gangsterlang in the Roaring Twenties, and young Ross, a real trumbenik (troublemak- er) was thrilled when he got a job running errands for Al Capone. Eventually his fistic ability saved Barney from be- coming a hoodlum, but it was a close thing. Most of the fighters of his era were Irish, Italian or Jew- ish, with some good Negroes coming up. BARNEY ROSS “There are practically no good Jewish boys or Irish boys in boxing today, and the Ital- ian boys are beginning to van- ish too. Their families are do- ing better, money-wise, they get more of a chance to go to college, so why should they take a chance on getting their brains knocked out?” ce ce bo3 Barney Ross won the world’s lightweight title from tough Tony Canzoneri on June 21, 1932. Two years later he took the welterweight crown from Jimmy McLarnin, the pride of Vancouver. McLarnin won a rematch but Ross took the rubber, thus “winning perm- anent possession of McLarn- ” in,’ as one sports writer ob- served. These great battles, and others up to the time he lost the welter belt to Hammering Henry Armstrong in 1938, are described graphically by Ross in his book. Later came the war, and his medal-winning conduct at Guadalcanal with the US. Marines, followed by dope ad- diction and the successful battle against it — the hard- est fight of his life. All of it makes good read- ing and No Man Stands Alone gets a plug from this corner. The book costs $4.50 and can be purchased at the People’s . Co-op Bookstore, 337 West Pender. January 10, 1958 — PACIFIC TRIBUNE—PAGE 11