RE B E C C A
SELECTED GROUP
2000

I , Witness, Edmonton Art Gallery
Edmonton, Alberta
installations
Many/One, in memory

BELMORE
EXHIBITIONS
1994 Recontre internationale dart performance de
Quebec, Le Lieu, Quebec, Quebec
performance (with Reona Brass)
affiliation/affliction
6th Native American Fine Arts Invitational
The Heard Museum, Pheonix, Arizona
installation, a blanket for *sarah"

Material Culture, Paris Gibson Square Museum,
Great Falls, Montana
installation, Many/One
performance, Bury My Heart
1999

Time Time Time, FADO,
Toronto, Ontario
performance, manifesto

1998

Biennale of Sydney, Sydney, Australia
installation, Paradise

Faret Tachikawa Art Project
Art Front Gallery, Tokyo, Japan
permanent public installation
I wait for the sun
History 101: The Re-Search for Family
Forum for Contemporary Art
St. Louis, Missouri
installation, X mark

Canadian Performance Art Tour,
Germany, performances (various)
1997

The Red River Crossing, The Swiss Art
Institute, New York, New York
installation
Us. With a Landscape.
7a-lld Performance Festival
Toronto, Ontario
performance, for Dudley

1993 Margins of Memory, Art Gallery of Windsor,
Windsor, Ontario
sculpture, Rising to the Occasion
1992 Land Spirit Power, National Gallery of Canada,
Ottawa, Ontario
installation, Mawu-che-hitoowim A Gathering
of People for Any Purpose
Indian Princesses and Cowgirls: Stereotypes
from the Frontier
Oboro, Montreal, Quebec
performance, Road Trip West

InSite 97, San Diego, California
installation
Awasinake: On the Other Side
1996

Bienal de la Habana, Habana, Cuba
performance, Untitled

Liaisons, The Power Plant
Toronto, Ontario
installation, Temple
1991
Metissages, Galerie Optica *
Montreal, Quebec ,
installation (with Florene Belmore)
Imposition

1995

Longing and Belonging: From the Faraway
Nearby, Site Santa Fe,
Santa Fe, New Mexico
installation, New Wilderness
performance, From the Same Earth

Between Views, Walter Phillips Gallery, Banff,
Alberta, gathering/performance
Ayumee-aawach Oomama-mowan: Speaking to
Their Mother
Interrogating Identity, Grey Art Gallery
New York University, New York
sculptures, Rising to the Occasion

1990

Biennale d'art de actuel, Quebec, Quebec
performance, August 29,1990

SELECTED SOLO
2001 33 pieces, Blackwood Gallery
Mississauga, Ontario
installation
2000 The Indian Factory, Tribe/AKA Gallery
Saskatoon, Saskatoon
performance/installation
on this ground, Rhode Island Museum of A r t ,
Providence, Rhode Island
installation
1999 Many/One, Galerie Optica,
Montreal, Quebec
installation
Dreamers, Keyano College A r t Gallery
Fort McMurray, Alberta
installation

EXHIBITIONS
1996

Ayumee-aawach Oomama-mowan: Speaking to
Their Mother, Assembly of First Nations,
Ottawa, Ontario,
gathering/performance

1995

Tourist Act # 1, I n s t i t u t e of American Indian
A r t Museum, Santa Fe, New Mexico
performance
«
Wana-na-wang-gong
Contemporary A r t Gallery, Vancouver
British Columbia
installation

1993

1992

Ayumee-aawach Oomama-mowan: Speaking
to Their Mother, national tour
gathering/performance

1988

Artifact 671B, Thunder Bay, Ontario
performance In support of Lubicon Crze
boycott of Olympic Flame

Don't take your guns to town, University of
New Brunswick, Fredricton, New Brunswick
performance

SELECTED

ARTICLES

AND

REVIEWS

Belmore, Rebecca, "Autonomous Aboriginal High-tech Teepee Trauma Mama", Canadian Theatre Review, No. 58 (Fall 1991)
Burgess, Marilyn, "The Imagined Geographies of Rebecca 8elmore", Parachute 93 (Jan,Feb,Mar 1999)
Fleming, Kathleen, "Longing and Belonging: From the Faraway Nearby", Parachute 82 (April, May June 1996)
Lacey, Liam, "Native artist puts new spin on the western", The Globe and Mail, (September 22,1990)
Laurence, Robin, Rebecca Belmore:Wana-na-wang-ong", Canadian Art (Spring 1994)
Mitchell, Charles Dee, "Introducing SITE Santa Fe", Art in America, (Octoberl995)
Phillips, Ruth, "Woodlands Indian Souvenir Art as Visual Text", Reinventing Iconology in the Post-Colonial Age", Texts 8 (Summer 1992)
Podedworny, Carol, "Okanata", C Magazine, No. 32 (Fall 1991)
Rushing, W. Jackson, "Contingent Histories, Aesthetic Politics", New Art Examiner (March 1993)
Sharman, L, "Making Art in the State of Texas", Fuse, Volume 51
Tourbin, Dennis, "Visual Cadence", Artscraf t, Volume 1 No 4
Townsend-6ualt, Charlotte, "Having Voices and Using Them", Arts Magazine (February 1991)
Townsend-6ualt, Charlotte, "Rebecca Belmore" Parachute 74 (April, May, June 1994)
Watson, Scott, "Whose Nation?", Canadian Art (Spring 1993)
Weiss, Rachel, "Interrogating Identity*, High Performance No. 56 (1991)