The WORKABILITY of a clay must be such that it can be formed into the required shape without cracking or sagging; at this point it is necessary to add "BY A GOOD TECHNICIAN", we are judging clays, not potters. Different standards of workability are required for throwing bodies, hand-building bodies, those meant for tiles, etc. PLASTICITY is the major factor of workability, it has never been adequately described but it has to do with the ability of a clay to be deformed and then hold the new shape. This has nothing to do with smoothness; kaolin is very low in plasticity and is quite flabby in the green state, ball clay is very plastic and quite firm in the green state, both are very smooth to the touch. With high plasticity goes exceptional workability, high green strength and drying problems, with low plasticity goes a narrow range of workability, low green strength and trouble-free drying; plasticity should be modulated to fit the job at hand. DRYING CHARACTERISTICS involve the least understood proper- ties of clays, this subject will be dealt with fully in the next paper of this series. Pieces of moderate size should not crack for the experienced potter, if they do it means that the body has too great a drying shrinkage for the job, or is too dense to permit the easy passage of water from one part of the piece to another, or the body is too low in green strength to permit even moderate strains in drying. Frequently the drying problems encountered are not due to the drying characteristics of the clay but rather to the drying procedures employed. The GREEN STRENGTH of a body should be great enough to permit reasonable handling of ware during drying and stacking after dry- ing. It shouldn't be assumed that all potters handle their ware reasonably, many don't, With experience one can learn to distinguish between handling and drying cracks. TEXTURE of a clay is important to workability, drying and final appearance, of these good drying properties of coarse textured bodies is probably the most significant. 6.