Why note join nue Toke a.wall OTTAWA (CP) -— Modernism began. ~ to emerge in Quebec art in the Paris, was ‘the strongest influence on the develop- ment of contemporary art in But his collection of works borrowed from @ number of galleries’ and private - ’ Borduas, was one of with- drawal from current affairs . to concentrate their art on. early years of the 1900s, Quebec until after the collectors traces the thelr inner feelings. ken Print upert ‘Smithers Terrace = perhaps a generation Second World War. beginnings of modernism § The show on : « - earlier than most. art Teachers for Quebec art back to about 1916, There _ to the Art Gallery of Wind- “aan 347- 2208 635-6302 historians suppose, says the schoola. were recruited .was not a new burst of - $f July 4to Aug. 15, the at any other ‘Slumber . curator of a new exhibit by there, and young artists modernism in 1940, no, Musee d’art contemporain. --_ “Lodge Motel in: ‘BC, call Slumber Lodge or _ the National Gallery . of seriously intending to make rupture with the past, but {1 Montreal Sépt. 2 to Oct. . 112-682-6171." Canada. | - A¢areerin art went to Paria -simply.an ‘acceleration of 15, the Rodman Hall ‘Art “oO Tellee 045-5209. Jean-Rene * Ostiguy, tostudy, developments, __ Centre in St. Catharines a ; research curator. of ‘The influenceof Paris and oo Nov. 5-30, and the Musee du ae Canadian art, has put. French art waned after the Works by Paul-Emile Quebec Jan..12 to Feb, 27 MBER LODGE: . together aahow of 116 works Second World War when . Dorduas, whodiedin 1960at next year. . ee ' datlig. from > the 30-year ' period. 1916-1946... The - Quebec - ts looked: - to fore editing developm- ’ the age of 55, are sprinkled. - through ‘the show, - in- - exhibit, which ended a stay" dicating how his: style _ = ? aA 7. at the National Art-Gallery.. said in an erie, Po ‘evolved. A self-portrait #f ‘ = ? | 3 4 Le 5 1 2 - 13 "of Canada this week, now now is perhaps regaining its PAlnted about 1928, given to will travel to Windsor, Ont, prestige among today's the National Gallery. by his v4 N Y Montreal, St.- Catharines, young artists, but the in- Widow In 196%, is a striking “WED ESDA Ont., and Quebec City. fluences come. from a °*Ample of his earlier work ean . ‘The show is striking in the - number of other centres, -. displaying - modern ns tow. simmy : ‘Viorniog : jam - various artists’ frequent we including Germany. technique. 8: ~ |New LBS Morning amen of. bright colors. At ‘the. “For gome years now, In Ost guy said there is little : —- National Gallery it was the ‘area. of Quebec .art. if any indication of artists’ gy... [feats [tummy JAM. [oroere © [sesame |roika : displayed in five rooms history at least, ithas been political discontent during [seat = fron, TAM Ws Your [Sesame | lead which had been painted in felt that the beginning of the that period. Though artists J“ ‘5 __|Todav~__|Galawaya_|Norttwest [Move Street |About it muted tones of the blue; modem period ought to be —_oten are in the forefront of : Seatile Galleways: | Love doyce ss Etectvic * [Heme > — |ouveriure white and red of the French set in 1940,"" Ostiguy writes radical movements, their 10: immo Laie [toe erate, paca” = [Gardener | iouvement . Tricolor. In a catalogue ac- attitude at that time, Show * Dressup | - | Boat Cooking f Inside Interiors [Dragon ‘France, and specifically companying the show. strongly influenced by The Sesame Family Datinttion =|, Freetiand = |adegarine. - . . | I 15 [Dectors Street F Definition - Footsteps Sketching Express. 1 : a : 30 |Search for | Sesame The Edge =| Pay . Human Un Animal . 45 [Tomorrow [Street oF night [Cards - - Teasy Behaviour [des Anim. " : ; 12 . Days Stories All My yeni tove Your as secre Artists World ik Es be iS Ee ee oo - ; nee Po Anather Stories [One aniner 11 =) | tducation [Les a J Le ee EE ie ee fee . 45 World Kingdoms [Live Word Through Education |d’un OTTAWA (CP) — Fear Automatistes. * his fascination with” the Yoon "loemrat. Vrexes _ ; “Tran _ and fascination‘are fused in Although he was regarded | heavens, earth andnature is as [ents ches Heapiiel | Texas Grepevine [etetching | Reflatn: the art of Paterson Ewen, as a significant abstract’ shown in the titles of some’ ee 4 sree" |Rewney. reas Maver pacerstend Temps says Joseph Martin, acting artist by the 19603, Ewen of them: Forked Lightning, [h——2° : ial director ‘of- the National could not yet devote his full Hail'on the Coastline, Solar [f . Movie, Tra Edge | Ryac's Hien Oe Gallery, =. _time to art. ; Eruption, Moon over 3: peli Take. _ | Happy Thicke Le Nine of Eweén’s -imusual Finally, in 1968 he moved Tobermory, Gibbous Moon, 45 [move Thirty Days Show Temps sculptured paintings on to London, Ont., says and Rocks. Moving in the - ong Won with =| the Little A Tire > plywood —. carved with a . Jessica Bradley, curator of Current of a Stream. : a a fount Yen wary House ralte = carpenter's electric, router contemporary Canadian art Writing the preface to is Lovie peal ad Prairie Fantomes.- — make up Canada’s atthe National Gallery, and Bradley's catalogue for the. [7 exhibit at the 40th in- - vireually ail the patterns exhibit, Martin said Ewen’s_ 5 ts frees EDeret [were [raouse Les ‘ternational showing of and conditions ‘of his ‘life fascination with earthly and md | King 5 TK Kora . | Winsday Un ote contemporary-art in Venice.. ‘changed. He started-to heavenly phenomena is $—~—1°™ Noo tp tenery pen The show, known as the devote his full time to art, .Vitalized by his technique,’ ay NBC Barney aac News Film Biennale runs from June 18 and started searching for and “allows him to depict 6 io fkinG.s | archie [rem fe, ‘| rai to Sept. 28 and then “new means of expression. the portents of disaster and 745 [News Bunker News 4 Hour Regional “Canada’s exhibit moves to the .merciless quality.-of [fT - Entertain, [Major | PM The Fall Basebatt London and Paris, - ; Ewen dispensed with asture without losing sight - 18 | Toniont Nortinwest - | Guy Baseball . Ewen, born in Montreal in - brushes and began painting . of magle-and wonder.” Ts [boar [vceetal > [Muppet oo panstall: | 1925, had boyhood ambitions, With pieces of felt dippea'in: . Cariada has been -}(-—————- —— — of becoming a geologist. But paint. Ifand when the paint exhibiting at the Venice “#@) as (Mt. [Lm Ho, (De, Bevel, after the Second World War, dribbled acres-his work, he _ Biennale since 1952 and 8 3 [Reet | ator American | American Baseball. in which he served in the’ accented it, and saw in me . maintains ‘a. national meee UH | Le nove Hero Hero Baseball Canadian Army in Holland, ribbles the. patterns 0 vilion in the Italian city of The Facts [Basan | The Fatt ~ | aacnum Baseball his romantic. fascination: celestial bodies moving canals and gondolas. At the | 9: |e [cree | Rest ce ‘with the earth was Jost in. ‘nee oad . 1980 Biennale, Canada: aS Sidnwy Des fowltid ‘ Janz 2 ’ the scientific approach: - mow’ are showed 22 works of.- . Dyneaty ; Autrefots fle. of tis ere " usually’ done on sheets of videotaped ari, and in the ” 10: Guin | Natlonat Bras Dmewty | More i hope ros He turned to the Montreal Plywood. in which outline past has built shows on the vas | Guiney Te at [Dynssty | ooreary | Merle Aneta Museum of Fine Aria school: “ drawings — and sometimes works of Michael Snow, — - = of art and design, and first complete background aress Greg Curnoe, Ron Martin fq @ j.(nmo’ {Mist [egw ery: [Movie Contd. was influenced by the late —-arechipped away with an and Henry Saxe... ll: Tonignt [tows ABC wr Fe a beens | Goodridge. Roberts, “with eléctric router, He. uses = , . 145 1 Love News: Fini : + P Claw whom he went on: metal, linoleum,— canvas, Ye vonkn fewer: [uve lame forte aching pe ee Sear mais tba ae BE & He then “became ‘Up areas, then paints over _ . 45] Night FSG ri UE hace thee tthe 2060 with” The. me acrylics. - in te [with D. . [sion , kouna strangers ; Pond - LE: | e moon -appea oo . :15° |, | Letterman ; ee (sc Paul-Enuite Se. several of the-nine works “GRR @a eu eee 4 Fi iertheren Sion : Bon The key 4 were . known’ ~ the” ‘ being shown in Venice, and a .