The Canadian Clay Commitice would like to congratulate Harmeny Vissers for her wonderful topic idea. She has won a free puss to the second biennial Canadian Clay Symposium. Harmeny's topic about the Journey and influences our there but not specifically clay will provide inspiring slide shows. What grabs @ person and influ- ences their work when least expected? It can be apparent only upon reflection. Who has made a difference? Place of travel can also have profound effects on the creative process. Thank you Harmeny and others who contnibuted ideas. This ts a great way Wo be invelved. Tam certain you all have more ideas; keep them for the following symposium. Have you decided which piece you are bringing for display in the Ceramics Roadshow! ‘This show exhibits a piece that you have made or ane you love — oF that has been significant for you. This was such a success at the first symposium: | can hardly wait to see what everyone will bring. We will also have a show of present- ers’ works. A mew addition will be a mug wall which will be a fundraiser for the Northwest Ceramic Foundation Educa- tron Fund. Plan to donate a mug or mugs and do purchase. It will be fascinating 10 see all the different styles; it will be a show in itself for us all to enjoy. There will be display booths for pottery businesses and related interests, Lf you are interested, you need to contact Dave Dobie at 604.888.5411. He can sign you up and answer any questions, The Symposium will be at the Shadbolt Centre for the Arts, Burnaby. Early bird registration begins October 15, 21 and continues to January 15, 2002 Contact the Shadbolt Centre for the Arts, 6450 Deer Lake Ave, Burnaby, BC, VSG 23 or telephone 604.291.6864, Early bird fee is $75 plus GST to total $80.25. [f you wana box lunch as well the total is $9102. We sold out well before the conference the first time so be sure to avoid disappoint- ment and register carly. Cathi Jefferson GM. 929.9175 October 200) Diversity in Clay Canadian Clay Symposium Saturday March 23 2002 PAMELA NAGLEY STEVENSON a presenter at the Svinposiunt A full-time potter since 1973, her passion for clay has expanded through travel research in Chile, Greece, India, Great Britain and the American Southwest. Her ongoing studio practice celebrates mythopoetic expressive functionalism, using wood and electric kilns, She attended University of Hawaii, University of Victona, and the Banff Centre in ceramics and sculpture and continues to extubit in group and solo shows. Since 1993 she has taught clay at Kootenay School of the Arts Centre (KSA) Craft and Design. Personal Statement Jam honoured to be invited to present at the Canadian Clay Symposium amidst such an ilustnous and diverse group of clay artists. | look forward tothe opportunity of sharing practices, insights, experiences and stones with all the participants. At the centre of clay, in which dwells all form, blooms the holiness of my heart’s affection, realized moment by wondrous moment. Throwing. assembling, articu lating, transforming, every darkness re- veals wings against weariness, worlds upon workds. Pamela Nagley Stevenson jor and jag for alter service 2000, wonudfinred Slowly, steadily, my muse evolves at a quict interiorized pace, circling the centre of Spint with intention, Story and cer- enmbony, myth and mystery, fuel devotions fire, inspiriting the forms, Fierce, silen, tender, she leads my hands and heart to the pots that | must make. Pamela Nagley Stevensoa kiln interior, firing #5 200) Potters Guild of Bntish Columbia Newsletter T enjoy many types of firing, kilns and glazes. Dlove luscious colours and roaring high temperatures. And I love best the truth and blush of naked porcelain skin in woodfire, revealing every kiss Mash and the fly ash of the nver of holy fire and every touch that stretched and Muttered the spinning clay, Ten years of assisting with and firing dif- ferent wood kalns reveals new dimensions of generative forces, of listening, of offer- ing, invoking dreams that do come true, charging every stoke with intention. Lbuiltmy litt wood kiln KIBREY A in joy with the 2001 clay graduates at KSA and superb leadership of fellow potter and instructor Garry Graham. Humble to look at, she is ravishingly beautiful once you know her, [thank Audrey Parkin, from the Fraser Valley Guild, who helped me choose the design. I am very grateful for all the fulfilling loves I treasure: beloved earth, farnily and fends, students and the community, ani- mals, gardens, the intact pure watersheds left in the Slocan valley, and my studio sanctuary. Pamela Naglev Stevenson