Most of the pottery activity in the Kootenays revolves around the school as there are no full time studio potters in the area ani very few amateurs. In line with a general trend which is bringing many young people out of the cities to homestead, a number of students have stated a desire to live and work here after graduation. The community certainly needs them and it is not a bad place to Live. From the big city standpoint, it may not be exactly where the action is but as one graduate said to me, "nobody hassles you here if your hair is a little long". Walter Dexter —— CERAMICS AND THE TEACHER - ONE VIEW. How can a teacher best help a student to prepare himself to teach ceramics ? First, realize and accept the fact that a person does not finish university possessing the depth of knowledge, the wealth of experience or the highly polished skills that he will have attained through experience during the years after graduation. Second, within any given class of students there will be almost as many levels of development and degrees of interest as there are students in the course. And third, though each student has verbally committed himself to some area of the teaching profession all will vary greatly in intensity in terms of their desire to teach. Consequently it is essential to design a flexible program, This program must provide the opportunity to develop the basic skills of the potter, It must also provide stimulation which causes the emphasis to be placed on each student to develop his own ideas. A student should have the freedom to develop and increase his sensitivity not only to the materials of the potter, but to the many related areas such as social studies, sciences and other forms of the expressive arts. The spectrum of ceramics is broad and a program daveloped for teachers should includ= many parts of that spectrum. In an era which manages to excuse lack of self-discipline with 2 few short words such as "that's not my bag" or "I'm doing my own thing" it is easy to find yourself as a teacher straddling a 9.