(Continued from Page 3) structure, On July 5th, 1 wrote a letter to Guild members in response to their specific concems about content and process. | thought it worth sharing the gist of that letter with the rest of the membership. Although other Board members told me that they found my orginal lever a useful summary, they are my personal perspectives and not “official”. To aquaint you with the biases | bring to my perspective, Pil intrxduce myself, | am not a potter, although in my youth | made a rather striking life-sized clay head which | painted black with India ink and now wears my “Mees the Press - NBC News” cap (a beftover from the Bill & Boris show). Always the closet artist, I have never found the courage to give up salaried jobs. Fortunately, most of those jobs have related to the arts, and I can at least enjoy the company of those whose bravery (and talent) is greater than my own. Currently director of communications at the Museum of Anthropology at UBC, 1 also teach arts administration and not-for-profit marketing, This year, I have taken a leave of absence (and my senses) to pursue 3 PhD in organizational change, postmodemism, and feminist theory. [am producing my dissertation in hypermedia—which is as close to art as I'll get for a while, Since about 1992, the Guild's Board had become increasingly nervous about our financel affairs. During the 1980s, the Guild had been raising a liule bit more moncy than tl was spending cach year so that small surpluses were accurnulating a comfortable reserve in various imerest-bearing accounts, At the beginning of the 90's, the rend shifted ever so subtly. At the same time as camungs were decreasing, spending was increasing, driven primanily by salary increases. The two lines crossed and we began accessing the built-up reserve. It became clear that, unless something significant changed, we would soon be broke, Having no control over the extemal environment, wilh slaff advioe, we turned lo the organization itself. First we did the logical and fun things. We raised the Gallery's profile with new signage and promotional events; launched The Nomh-West Ceramics Foundation and won charitable status from Revenue Canaxta; cut expenses wherever it didn't jeopardize our mission or our revenue; reduced the commission rate to $480 (not one of the “fun things); and volunteered additional hours to provide services to the Guild, including painting the Gallery, setting up and staffing a booth at the Circle Craft fair, working in the shop during the Christmas season, and so on, Noble, but not enough, Sales remained stagnant; the Foundation needed years (0 raise funds; there was no more reserve; the commission change slowed but didn’t stop our slow drift toward bankruptcy; and volunteer Board mumbers were exhausted. As well, we knew we had to continue to spend money competing for customers, buying computer and other equipment for the staff, refurbishing the Gallery, and doing more programming for potters and the public. To even think about such proactive things, we Page ? _ had to stop tinkering and begin rebuilding. With Jan — Kadnie's resignation last December, it was time to conven Joss INO Opportunity, and consider something completely «different. What this was, we didn’t know. With Anna | Byamason agreement (0 cover the transition until June, we had six months to find out. Because of vacations and departures, the Board met—for the first time in my history alone, without the presence of staff. Our conversation was open, frank, and wede-ranging. As we talked, we realized we were beginning to explore organizational changes that could affect existing staff members. A worrysome task, given the positive stall relationships . Nonetheless, we were getting glimpses of a future that looked more positive than the present. We continued, ih camera, behind closed doors. Several times. we talked about inviting staff, but by now we were discussing matters to which they could have had no other reaction but resistance. If / were the staff member and the board asked me to comment Of &@ Structure that might exclude me or change my job in a way [ found threatening, what would | say? It’s unlikely that I would be my most creative and cooperative self, We all struggled with the issue of privacy versus openness, communication versus silence, and accountability versus populism, We wormed about our leadership role versus our Obligation to represent the membership, Once we agreed to become directors on this not-for-profit board, the Society Act held each of us personally “jointly and severally” liable for the Guild's financial and legal affairs. We neither took our responsibilities lightly, nor made hard decisions casually. We weren't mean-spirited or stupid. We made sure that if we had to deliver hard messages, negotiation room would be left to ensure affected staff would get a generous deal. We discemed the difference between tuming the Gallery into @ business and running it with useful business principles. Our organizational memory was long enough to recall that the Gallery was not only created to support the Guild. But we hexl to balance tradition with the knowledge that the Guild had few other ways (except to significantly increase membership fees) to support its educational and member programs. Economic realities had changed and so must the Guild. We agreed to seek a line of credit before we cleared out our last bank account so that we could guarantee compensation packages and equipment to support our new stoucture, While we might not, in the end, need that credit line, it allowed us short term breathing space and a way lo ride out the annual cash flow dips in the long term, Although we appreciated this risk , it was miniscule compared to our conviction that to do nothing or continue to merely tinker was utterly risk-free: it virtually guaranteed our going into debt by spring of 1995, at which time we woukd not get a line of credit nor have room for anything other than Draconian change. (For those who believe these changes Dracoman, know that not only is the Guild intact, we can look forward l greater, not lesser, support of members* interests.) (Comiaued on Page §)