They sing _ against war By RAYMOND VIDAL ONGS for peace, songs about peace, anti- — war songs, songs against war in general or against one particular war. . . In. all conflicts, over all troubled ages, ’ gongs have been born. They were sometimes spontaneous: the soldier with his kitbag, be- ing sent off to the slaughter, puts to music, often to.a tune of a popular song, words of révolt prompted by his situation; the girl he is engaged to; his wife, who fears for the life of the man who has been torn away from her, do so tod. Simple words, poignant with anguish and suffering, give rise to songs which for too long now have been described es “folklore,” with a stupid perorative touch. We shall not go back today over the cen- teries seeking to find the first “anti-war” song. Let us look to the United States where the eggression in Vietnam is arousing strong reaction among the young people who, gui- tars in hand, are launching their attack against the war. As the. United States, weighed down by its bombs and napalm, is trying to crush the courageous Vietnamese people, around the American universities, with guitars and ban- jos, young singers began to be heard with songs that come from the hearts of the peo- ple, songs reflecting the revolt of those who are against war. The U.S. ‘‘folk protest song,” the fathers of which were Woodie Guthrie and Pete Seeger, became a combat weapon used by Joan Baez, Bob Dylan and many others. : And these singers are not just satisfied with singing, they even give press confer- ences. Joan Baez, for instance, talking about the war in Vietnam, said that the important point is that when children are burned to death you stop it by whatever means you _ can. And another time she said that she was part of the world movement for peace and that music was a secondary thing for her. She felt hurt if it was claimed that she was onlv a sinecr ~ JOAN BAEZ And here are their songs, the songs of those whom the old reactionary politicians in the United States call “Vietniks” without realizing that this is the greatest compliment - they could pay them. ‘The Eastern world it is. explodin’, Violence flarin’, bulletin loadin’ You're old enough to kill, but not for votin’ You don’t believe in war, but what’s that gun you’re totin’? asks Barry McGuire in his great hit “Eve of Destruction.” And Malvina Reynolds sings: Is our country so weak it can only survive By bombing villages, burning babies alive? Peace isn’t treason, it’s reason Peace on earth, He said, And I still believe it. Pete Seeger composed Song,” with its explosive message: If I had a hammer, I’d hammer in the morning : I’d hammer in the evening all over this land; I’d hammer out danger, I’d hammer out a@ warning, I'd hammer out a love between my brothers and my sisters ‘All over this land. Then Bob Dylan, parodying the “Dieu et mon droit’ and the “Gott mit uns,” wrote and sang “With God on Our Side.” The second world war came to an end We forgave the Germans and then we were friends ; Though they murdered six millions in the ovens they fried The Germans now too have God on their side. I’ve learned to hate the Russians all through my whole life, If another war comes, it’s them we must fight To hate them and fear them, to: run and to hide And accept it all bravely, with God on my side. But now we got weapons of chemical dust If fire them we're forced to, then fire them we must = One push of the button and they shoot the world wide And you never ask questions when God’s on your side. Through many a dark hour I’ve been thinking about this That Jesus Christ was betrayed by a kiss, But I can’t think for you, you'll have to decide Whether Judas Iscariot had God on his side? So now as I’m leaving I’m weary as hell The confusion I’m feeling ain’t no tongue can tell, The words fail my head and fall to the. floor, That if God’s on our side He'll stop the next war. Is there any need to go on? The songs speak for themselves. I could, of course, have cited other texts, other writers, other singers who cry out their hate for war and their love for peace. But here again let us listen to Bob Dylan, with his veritably prophetic song “The times they are achanging”: ; . The line it is down, the curse it is cast The slow one now will later be fast, As the present now will later be past. The order is rapidly fadin’, And the first one now will later be last, For the times they are a-changin’. “The Hammer : cigarettes.” | Huckleberry pie. J. $. Wallace Most of the world supposes Bulgaria’s Valley of Roses Where Beauty her breath discloses Is far more precious than pearls, But any research discloses There is no Valley of Roses In all their perfumes and poses There isa Valley of Girls. ACK in Sofia, after motoring all one day to Varna on the shore of the Black Sea. There, stripped to my shorts, I waded as far as I could into the breakers. With trunks I'd have had a swim warmer than any we know in August, though it was late October. High-rise hotels by the score at both Golden and Sunny Sands. But not high-rise rates: eight levas for a room, two for a good meal. (One leva is worth 90 cents.) Away from prices, on to people... At the Globus Hotel, an untipped “bell-boy” carried down my suitcases, then reached into the open car window, shook my hand and wished me godspeed in halting English. Here in Bulgaria, a bell-boy — a boy this time — walked — up five flights where the elevator was stuck, brought it down, took my luggage to my room, took my coat and — jacket as I removed them, hung them up, and backed ou with a smile and without expecting a tip, saying — the only link he could find in a hurry — “Canada: Philip Morris P.S.—Not a fence wherever I’ve passed farm Jands. N fences, no fetters on nature or man. a cS FOR ALL MY CHILDREN | Here is how I was taught to spell Huckleberry Pie: H U Eckle, B U Eckle, H U Eckle I, H U Eckle, B U Eckle SOFIA — Stratford player: on national tout Bernard Behrens, Leo Ciceri, William Hutt and Tony van Bridge are among the prominent actors signed for the Stratford Festival Company’s first coast- to-coast tour it was announced in Stratford last week. The tour, sponsored by Festival Canada, opens Feb. 15 in Calgary and continues through six provinces. William Hutt plays Khlesta- kov and Tony Van Bridge the mayor, two central characters in Nikolai Gogol’s famed co- medy, The Government Inspec- tor (Inspector-General) which is being staged by Michael Lang- ham, artistic director of the Stratford Festival. Leo Ciceri plays Sir Toby Belch and Ber- nard ‘ Behrens, Malvolio, — in Shakespeare’s delightful “Twelfth Night,” directed by David William and a highlight of the 1966 season at Stratford. Hutt also will portray Feste, the philosophic clown in the Shakespeare production.. Ciceri plays the role of Amos: Lapkin- Tapkin, the judge, Behrens, Osip, in the Gogol play, a favor- ite of international companies for more than a century. The six-week tour takes the company into Calgary, Victoria, Vancouver, Winnipeg, Frederic- December 16, 1966—PACIFIC TRIBUNE— ton, Charlottetown, Halifax, John’s, Nfld., and closes in tawa March 23. “Twelfth Night,” which ] ed to near-capacity for the week Festival season at ford during the summer. designed by Brian Jackson original music. compose original music compose Louis Applebaum. The British designer Leslie Hurry created the costume and SC designs for “The Gover Inspector.”’ This production made possible by a special £ from the Centennial Com? sion. PINK ELEVATORS? The Lakehead Chambé Commerce has asked own' grain elevators to paint the” pastel colors to brighten up harbor. Instead of grey, Structures may be _ pink, blue, green or yellow. ; One elevator has already done in green and the ow? of smaller elevators have ag!” to go along with the idea. © less the larger elevators painting, owners are a bit Ye! tant. It costs about $225,000 paint a large one.