eee Cece TOMATO OTA ET BTR TOTO TNO ATT Ps ‘Nobel Laureate also a journalist The 1982 Nobel Prize for Literature was awarded Col- ombian writer Gabriel Garcia Marquez whose career spans both fictional and news writ- ing. This look at Marquez, who now lives in Mexico, is by Jorge Timossi in the Cuban newspaper, Gramma: * * * The Nobel Prize for litera- ture awarded to Gabriel Garcia Marquez is also for journalism, because this writer is also a journalist in every sense of the word. When news of the Nobel GABRIEL MARQUEZ Prize decision became known sometime in the early hours of October 21, there were many who recalled that the talent of the Colombian now likened to Faulkener and Balzac developed through teletypes, telex machines, feature stories and all those things which led him to say, *‘I simply tell it like it is.’ Proving our point is the news that he will use the money from the prize to set up a newspaper in Colombia to be staffed by journalists under 30 years of age. It was in Colombia that he served as a Prensa Latina correspondent when the agency was young and where he worked as the editor of Alternativa magazine. When I was finally able to reach him at his house on Fuego Street in the Pedregal district, there was only one question I wanted to ask the Nobel laureate and winner of the Aztec Eagle and Felix Varela awards. I knew that such recognition has been a longstanding desire of his. He jokingly welcomed me saying: ‘‘From now on you must call me Mr. Garcia Marquez. We can’t have any more of this exces- sive familiarity.’’ He was in his usual good mood and I didn’t wait to ask my question: : What aspect of the journalist is pleased by this prize given to the writer? “The reporter, beyond doubt.” Why? “Because the reporter works with information, and because information and only information can be the basis of literature.”’ No other aspect of the journalist? **No, because what I call commentators are no longer journal- ists.” And why information? “Because it is information based on reality which is the basis of both literature and journalism.” This is a Garcia Marquez true to himself and true to the man who has said in scores of interviews, ‘‘Never, under any circum- stances, have I forgotten that at heart I am not, nor will I ever be, anything more than one of the 16 children of the Aracatace telegraph operator.” In keeping with the example of his father, Garcia Marquez has always been amidst dispatches, involved in communications and the news, reflecting the situation as it is in his many feature stories that provide an in-depth look at the lives and aspirations of the peoples of Angola, Cuba, Vietnam and Nicaragua magnificent articles in which literature and journalism each draw on the other, encompassing the real and the magical, the vital and the drama- tic. To those who say that the Nobel Prize he has received is ‘‘a price to imagination,” he will always say from the depth of his Latin American heart, ‘‘I simply tell it like it is.”” That is what he does in his weekly column in the Mexican magazine Proceso, in extraordinary pieces apparently written with the greatest of ease and which he described as a lesson in good journalism: “This note which I turn out every week is an indication ofa strict sense of professional honor. I only missed once and it wasn’t my fault since there was a last minute breakdown in the transmission system. I write it, every Friday from 9:00 a.m. to 3:00 p.m. withthe same determination, enthusiasm and inspiration that I would need for a literary masterpiece.”’ An announcer on Mexican TV Channel 11 summed up this aspect of the Nobel prize-winner: “In addition to his laudable literary work, this is also a prize for the daily work of thousands of Latin American journalists who participate in the violent struggle of their peoples with the equally violent and decisive weapon of the typewriter.”’ This. also means that all Latin American journalists should be pleased and honored by the prize given to Garcia Marquez. It is this feeling which leads him and all of us to ask, when will there be a Nobel prize for journalism? “I will insist on that,’’ said Garcia Marquez. Why not a Nobel prize for painting, sculpture and journalism? Why only literature? PACIFIC TRIBUNE—FEBRUARY 25, 1983— Page 10 No ‘third way’ between capitalism and socialism Futurology Fiasco by Georgi Shakhnazarov, Progress Publishers, Moscow, 230 pp. $5 cloth. Since 1917 there has been a constant stream of propaganda attacks on the Soviet Union. Bourgeois ideologues, seeking to discredit the world’s first socialist state, have accused it of a wide variety of sins, the theme being that socialism _ was a pipe dream and the attempt to achieve it would be tyrannous. Most of these criticisms, some of which were very crude, have been aban- doned. It has been found necessary to be more Subtle, taking into account the many successes of the Soviet experiment. Georgi Shakhnazarov, a Soviet political scien- tist says that the theme of contemporary academic attacks on the USSR is that while socialism has been successful, it has tended to ‘converge’ with capitalism, as the two systems borrow from each other. This view, currently in vogue, holds that the Soviet Union is a little ‘capitalistic’, while the west is a little ‘socialistic’. Most convergence theorists believe that technology determines society. In the ‘post-industrial’ world, talk of classes and exploitation is irrelevant. Managers rule: the goal of both societies is efficiency. This notion does not impress Shakhnazarov, who points out that similarities in all modern societies — two examples being monogamy and urbanization — prove that they are both modern and industrial, but not that their politics are the same. The fact that both systems borrow the other’s techniques does not mean that they use them for the same economic or social purposes. Shakhnazarov devotes a chapter to social ' democracy, the most direct political expression of this view. Social democrats, he says, believe they are socially responsible, like the communists, but democratic, like the bourgeois world. They thus combine the best of both and avoid the worst. Shakhnazarov is not impressed. He points out that there is no third way between capitalism and socialism: social democrats can only tinker with the abuses of capitalism. When crises hit, or when capitalism feels threatened, the social democrats are swept aside. Marxists are supposed to feel flattered that their _ analysis has, to some extent, been accepted, but Shakhnazarov resists the temptation to similarly praise his opponents. This is not only because he does not agree with them. It is because they have a habit of postulating what he calls ‘trumped-up dilemmas’, by which, if we choose one system’s advantages, we are saddled with its problems. By appropriating ‘“‘democracy’’ for themselves, the futurologists suggest that, for its ills, capitalism, unlike socialism, is capable of some future resolu- tion of the contradictions. The book is sub-titled ‘‘A Critical Study of Non-Marxist Concepts of How Society Develops’. All the anti-Marxists seem to believe in a future that is neither wholly capitalist nor entirely socialist — one, that is, of reformed capitalism. A favorite conundrum is that of freedom and equality, which are seen to be incompatible. This is because freedom, seen through bourgeois eyes, is expressed in the private ownership of property, which creates class divisions. It was not always so. - The French Revolution proclaimed ‘“‘liberty, ' equality and brotherhood’. Shakhnazarov believes that, because equality was soon found to be incompatible with bourgeois freedom, it was found necessary to discredit equal- ity. It is now common for people to think of equal- ity as meaning ‘‘sameness’. From this belief is de- rived the view that in the Soviet Union “‘everyone is the same’’, living in a drab, conformist world. Shakhnazarov’s conclusion is different. SOS as Seen eS In 1983, the centenary of Marx’s death bourge’ ideologists are still attempting to refute his ide? (G? Books ‘The answer, which the future is sure to Of out, is equality and freedom’’. This cat achieved only with socialism, because this al? creates the conditions of an equality of opportu® ae ss _ which is at once political and economic. Similar confusion is discussed in Pluralism Democratic Centralism? Shakhnazarov does ! think a centralized government is in itself good _ bad, democratic or dictatorial. It depends on W is exercising power for whom. This contradicts! _popular bourgeois view that, in the Soviet Un'¢ too much power resides in Moscow. He discuss Lenin’s view that democracy is best achieved combining the participation of all citizens with! finite leadership, responsibility and order. + much centralism can lead to dictatorship; too litt to anarchy. Shakhnazarov feels this problem unresolved in bourgeois society because — isolating political institutions from society’s e nomic basis ... interesting theoretical consti tions are inescapably reduced to well-intentio? and impracticable, utopian prospects’’. The exP ience of capitalist societies with powerful cent authorities is consistently bad, stretching ft Napoleon to Hitler — and beyond. Shakhnazarov draws three conclusions. F pluralism cannot exist in an exploitative socie pluralistic freedoms that do exist are ! “‘capitalism’s gift to the people, but a concess! won in persevering struggle by the working cle and other progressive forces’’; and only in social societies, ‘‘in the absence of class antagonism can conciliatory decision-making procedures | ally succeed. 3 Shakhnazarov’s final conundrum is that of un or diversity. He rejects popular western views tl the USSR lacks diversity, his thesis being that fo! and essence, the general and the particular, ml be blended. To illustrate this point he discuss two rival notions. Sweden, which he regards ast world’s most advanced social democracy, grafted socialist forms to a capitalist essence. China, during the cultural revolutio ‘“non-socialist form ... was artificially grafted to the socialist system’’. Sweden and China to opposite paths, but both have failed to achieve r socialism. Obviously well acquainted with the we Shakhnazarov adds a conclusion about Brave N World and 1984, two very significant bourge! critiques of the future. Both Huxley and Orwell, beliéves, missed the point, as have a series of s ence fiction writers whose work is quoted withc comment. It is, says the author, too obviou: decadent to require analysis. Jeremy Ag