ln fa ] eS SS StS SSS SSS SBP PSS SPS SssTesessesere } YEA NX N OK ase , D "ail \\it oa ~ YQ oO: =) 4 (exams KN NERDY, — ~S “ake PAL OAD has ayy) AE | =~ — DEDICATED TO zx CAUSE FOR “PEACE _ Awd “BRoTHERH COD. ARNOLD “Bek MEXICO, DF: Mexican artist greets ‘PT’ ARNOLD BELKIN, formerly of Vancouver, and now one of the most famed Mexican mural artists, sent this drawing and message to the “Pacific Tri- bune”’ to mark the paper’s thirtieth birth- day. His figure of hope is dedicated to the cause of “peace and brother- hood” for which this paper has fought for three generations. * Don’t miss ‘Other Voices’ TV program on Joe Hill f you missed the CBC-TV a Production “Other Voices” €n it first showed “Songs of °e Hill” some time ago, don’t Miss it on when it appears again Tuesday, May 4th at 10:30 37 If you saw the half hour pro- gram featuring Don Francks when it first appeared you will be thrilled with the opportunity of being able to see it again. There were so many requests for a replay of the excellent documentary on the American balladeer and labor martyr that CBC-TV decided to re-run it. Don Francks, who since then has had some ups and downs in his career, does an excellent job in singing Joe Hill’s songs and in telling the story of Joe Hill, The program pulls no punches in exposing the frame-up and shooting of Joe Hill by “the bosses.” It’s a good feature to be shown in the week of labor’s holiday, May Day. he Train,” produced by United Artists, is a curious and ex- cellent mixture of the U,S, and European film-making art, For one thing, the bulk of the actors appear to have come from French studios, For another, itis aseri- ous film directed by an artist, John Frankenheimer, whose earlier efforts have been well above the Hollywood product, Frankenheimer directed “Seven Days in May,” “The Birdman of Alcatraz” and *The Young Sa- vages,” Star of “The Train” is Burt Lancaster, who has also SVT TVVVVVVBVVVVVVBV VT BV VVBWWTVs~~~~** CO-OP BOOK STORE CANADA'S LEADING PROGRESSIVE BOO 341 W. Pender St., Van. 3, B.C. matter shop at t K RETAILERS he Photo by Jack Phillips - Phone MU 5-5836 ‘Lancaster scores in anti-facist film been consistently associated with films notable for their integrity, The most interesting ingredient in the mixture is the extraordin- ary respect for the worker and his craft: the trainman, Finally, there is a perfectly direct social message: fascism stinks, Fas- cism here is represented by a fine British actor, Paul Schofield, as a Nazi officer to whom people are swine, It is his job to move a trainload of French art trea- sures into Germany as the Allies are moving on Paris, Lancaster, as Labiche, station master and resistance leader, who at first is reluctant to stop the art train, but as events de- velop it becomes a high speed race between some 100 railroad workers and the Resistance who are out to foil the Nazis’ plan, Lancaster is not really called upon to act, His rugged looks and acrobatic skill are entirely appropriate for the role, Each trainman is beautifully cast and the camera never neglects faces for steam engines or pistons, Ode to the Pacific Coast This is the land of big fir And warm cedar and bitter hemlock, Of craggy peak capped in a crown of virgin white. Where the eagle soars on high and Dives to pluck silver feast from the blue deep That caresses the shore with thunderous love. Where bear is king until man is come To wrest his domain. To strip it bare and leave his subjects naught. And suddenly the silence of wilderness is cleaved By the crash of the huge fir A grandfather of Columbus. The saws sing, the whistles scream and yarders grunt The boat hooks on and off to town To feed the giant. And through what is left on rugged slope — Broken wood like bodies smashed by war, and stumps Like amputated arms thrust to heaven— Will come a new breed to suck From the soil and drink of the warm rain To grow and burst with life and Feel the sap that is its life blood Course through its veins pushing it ever skyward— Once again to fall and feed the giant. April 30, 1965—PACIFIC TRIBUNE—Page 17 —Thomas J. Kozar