BRILLIANT SPECIALIST VICTIM OF POLITICAL PERSECUTION Patients die because U.S. hospital. bars doctor named in witch - aint AN INFANT of 20 months and an aged man of 83 years died within ten days of each’ other in a Los Angeles hospital as a direct result of the political per- secution sweeping the United States. Both died of kidney ailments. Both died in the Cedars of Leb- anon Hospital. They died after officials had denied them the services of the one physician who might have saved their lives. He had been fingered by the witch-hunters. : The doctor whose services were denied both patients was Dr. Richard W. with two other doctors, had been barred from practice at the hos- pital “ for political reasons.” Dr. Lippman is one of Am- erica’s most brilliant young re- search scientists in heart and Kidney diseases. On March 1 he was granted a two-year extension of his re- search fellowship by the U.S. National Institute of Health for continuation of his work in kidney tissue culture. Some weeks ago Dr Lipp- man was. called for consul- tation in the case of the 82- year-old man. leave the hospital. The man subsequently died. Then Dr. Lippman was call- ed for consultation on the kid- ney ailment of the 20-month- one child. He warned the phy- sician in charge of the case that he had been barred from the hospital, The physician told Dr. Lipp- man that unless he was allowed to attend the infant there was no hope ‘for its recovery. ‘Within a few minutes of Dr. Lippman who, He was asked to ~ ‘been sold, WHAT'S ON THE oe REE Lippman’s arrival at the hos- pital his presence was reported to officials. Before he.could sée the patient, he was told to leave. DR. HEWLITT JOHNSON Writing new book FIFTY-FIVE thousand copies of I Appeal by Dr. Hewlitt John- son, Dean of Canterbury, have it is announced by Friendship the Britain-China Association. Dr. Johnson is now working on a new book on China, 30,000 words of which are already on paper. “It tells the story of the won- derful things my wife and I saw on our visit,’’ he said last week. “My wife is doing the jacket and illustrations. We hope it will be published this fall.” Special appeals were made by the family and their physician on the ground that Dr. Lipp- man was the only physician who could give adequate advice in the case. Those appeals were turned down, and Dr. Lippman was forced to leave the hospital. The infant died. * * x A DRAMATIC protest against exclusion of Dr. Lippman and two other doctors was made by ' a woman who phoned the Cedars of Lebanon Hospital asking if Professor-Doctor Jessica Green- span of the University of Vien- na might be connected with the medical superintendent. The telephone operator was impressed. So was the super- intendent’s secretary. In no time at all the superintendent was on the phone, “Are you Dr. Greenspan?” he asked, quite congenially. “No,’’? answered the woman, “T’m calling for her.’’ “You’re interpreting for her, no doubt?’’ “Not exactly. ‘You see, Dr. Greenspan was professor of physiology at the University of Vienna.” Noga?” “Actually, I’m speaking in memory of Dr. Greenspan. She was incinerated at the death camp in ‘Tremblinka, She was my cousin. In her name I want to protest the fir- ing of the three doctors from your hospital for ‘political’ reas- ons. .I couldn’t get past your secretary when I first phoned. So I called on behalf of Dr. Greenspan.”’- ‘We're Not Married’ rates as good satire depite weak ending WHAT -.A RICH field for satire there is in American poli- tics, American. corruption of marriage, American commercial radio. We’re Not Married, grasping the possibilities, opens brilliantly. Fred Allen and Ginger Rog- ers are sheer joy as a pair of radio artists who have to mar- ty in order to get a breakfast hour program in which they are a happily married couple. The digs at nepotism in gov- ernment, the technique of the gold-digging divorcee and many another established custom of » the American way of life have the thrust of real satire. What was needed to make this story of five couples who sud- denly find they are not legally “and produced We’re Not married one of the best comedies of the year was a_ super-acid climax. Nunnally yohueor, who wrote Mar- ried doesn’t dare so much. The film peters out in sentimentality. But there’s enough satire, sharp direction and first-rate comedy acting here to make this one picture worth seeing. * * * HIGH NOON | Gary Cooper Western with brilliant suspensa technique but, unfortunately, perpetuates Hol- lywood’s ‘‘people are no damn good”’ theory. THE NARROW MARGIN Hollywood B budget, this film stands on g train thriller level with The Lady Vanishes. Sus- pense filled, it holds interest Pacitic: TRIBUNE Published Weekly at Room 6 - 426 Main Street, Vancouver 4, B.C. Tom McEwen, Editor - Hal Griffin, Associate Editor Subscription Rates: One Year $3.00 . .. Six Months $1.60 — Australia, United.'States and all other countries One Year $4.00 . . Six Months $2.50 Printed by Union Printers ‘Ltd., 550 Powell Street, Vancouver 4, B.C. Authorized as second class mail, Post Office Department, Ottawa smooth urbanity Canada and British Commonwealth countries (except Australia) | | : from start to finish. RASHOMON Defeatist Japanese film pos- ing the question, ‘“‘What is truth?” Only apparent answer is all men are liars. Nihilist theme cancels merits of beauti- ful photography, competent Ree ing. CARRIE It is to the credit of Theodore Dreiser rather than William Wyler, who produced and di- rected Carrie for Paramount, that so. much of the original story comes through in the film. Despite the expert emasculation, this is a picture worth, seeing. ENCORE Somerset Maugham owes his phenomenal success as a writer to the fact that almost through ‘out his career he has applied his major talent to minor art, En-, core is as good an example as any of this. technique. The three stories in the film are really no more than anecdotes. But Mau- shan brings to them all the and expert “manipulation of a man who knows every trick of his trade, and by sheer technical virtu- osity he persuades us that these sentimental trivia are profound comments on ‘life. 5 Poland, ° THE SCALPEL, THE SWORD DR. NORMAN BETHUNE ’ Bethune biography appears| THH STORY of a great Canadian whiose’ life was bound up with the struggle to change the world and] make it a better place for its | peoples appeared in book- stores this week, The Scalpel; The Sword, by Ted Allen and Sydney Gordon, is the bio- | graphy of Dr. Norman Beth- une who succumbed to blood poisoning while leading #] Canadian medical miission 1 | China during the early years cf the anti-Japanese war. AD outstanding surgeon’ and 4 pioneer in blood transfusion | work, Bethune headed the Canadian medical mission which served with the Re- publican armies in Spain. The Scalpel, The Sword 5 obtainable here at the Peo ple’s Cooperative Bookstore , 337 West Pender Street priced at $5. GUIDE TO GOOD READING Hemingway's touted novel just another THE OLD MAN in Ernest Hemingway’s new novel, The Old Man of the Sea, is actually Hemingway. The fish, his big- gest ever, est book. The evil and vorac- ious sharks which tear it to bits are the critics, “ This is the interpretation ar- rived at by many readers of Hemingway’s 27,000-word novel which appeared in the Septem- ber 1 issue of, Life magazine, and I go along with it. Stung by the unfavorable’ reviews which greeted his Across the River and into the Trees two years ago, the aging Heming- way tries a comeback by revert- ing to the formula he used with considerable success in writing monthly fishing articles.for Hs- . quite magazine in the thirties. Hemingway would reject the idea that he’s trying a come- back, of course. He still insists he’s the champ. In an inter- view with a New Yorker report- er’ some time ago, he boasted that he was ‘“‘the champ in the twenties, in the thirties and the forties, and still is.” é The bells tolled for Heming- way when he wrote For Whom the Bell Tolls, but he never heard himself being’ counted out. Like any punch-drunk pug who starts shadow-boxing every time an alarm-clock rings, Hem- _ingway still imagines he’s the heavyweight ijliterature _ title- holder, demolishing al] comers. * * x THE STORY THEME in The Old Man and the Sea is very simple. For 84. consecutive days an old Cuban fisherman, has caught no fish; on the 85th day he goes far out and hooks a huge marlin. For two days and nights he pits his strength against the 18-foot fish, finally wins, But on the way. back, with the marlin lashed to the side of his boat, hungry sharks attack again and again, and he brings in nothing. but a stripped skeleton. i Then there is a young boy, who fished with the old man but whose parents sent him to fish with someone who was “luckier.’’ The boy learned how to fish from the old man, but now he is not in the boat when he is needed most, Conquering the fish becomes is Hemingway’s great- ° fish ste all-important to the old mad He must show the boy and the fish “what a man can do a2 what a man endures.” ““T told the boy 1 was # strange old man,’ he said. ‘NoW is when I must prove it.’ “The thousand times that 24 had proved it meant nothins Now he was proving it agaill. Bach time was a new time and — he never thought about the past when he was doing it.’ ; HEMINGWAY | Importance of being Ernest Yes, the old man is Hemi8- way. He’s still trying to prov® himself the champ, each book i8 — a new defense of the title he’s so sure he won in the twenties with his A Farewell to Arms._ You can’t hurt. a punchy fighter, for ‘he lives ei a dream world of his own. No criticis™ can bring home to Hemingw@J the truth that he never‘ champion, for he’s always live@ in a world of his own creatio®, in which the central figure W2* himself. All the books he’s — written could be titled The 1™ portance of Being Ernest, ‘ ‘When Hemingway deals with - subjects dike fishing and bull fighting he writes with authorit¥ and is highly readable. Old Man falls into this categoTy and consequently is “good Hel ingway.” Good, that is, as colt pared to bad or stinker HemiDs- — way of For Whom the Bell and Across the River and in the Trees.—BERT WHYTE. PACIFIC TRIBUNE — SEPTEMBER 19, 1952 — PAGE § \