Some 12 West Coast writers have pooled their talents to put together Tamahnous Theatre’s The Writers’ Show, scheduled to open May 30 at the Vancouver East Cultural Centre where it will run through June 17 as part of the Heritage Festival 78. Some of the writers here are (I to r), John Lazarus, Alex Pauk, Jeremy Long, Tom Cone, Jackie Crossland, Cherie Thiessen, Brenda White, Joe We- sienfeld, Chris Bruyere, Doug Bankson, Glen Thompson. — David Cooper photo Who murdered Anna Mae? Do you remember some two years ago hearing or reading about a Canadian Indian woman who was found murdered on the Pine Ridge Indian reservation Dakota? The one whose hands were ghoulishly severed at the wrists and sent to the FBI in Washington for finger-print identification? Here for the first-time in book form we have a comprehensive account of that tragic event, or at least as much as is known now, _based on obviously thorough and well-documented research and told with feeling and understanding. It is not only a biography of Anna Mae Aquash. It is the story of the heroic struggles of the Indian people of South Dakota for social justice led by the American Indian Movement. As such it includes a description of the occupation of Wounded Knee in 1973; the reign of terror and killing of AIM leaders and supporters that followed; the program and actions of the FBI aimed at physically destroying AIM; the collusion of the RCMP with the FBI against AIM; the spying and interference with Canadian Indian movements by the RCMP, and the shameful role of the Canadian government in supinely acting as an apologist for the FBI and the U.S. government. Anna Mae Aquash, a Micmac Indian, was born in Shubenacadie, Nova Scotia, on March 27, 1945, and grew up in poverty. At 17 she ex- perienced the life of a migratory worker in the blueberry fields and potato harvests of Maine. Later she worked as a packer, also in a sewing factory in’ Boston. She married a Canadian Indian, they had two children and in 1970 were ANNA MAE AQUASH... murder probed in new book. in South, THE LIFE AND DEATH OF ANNA MAE AQUASH. By Johanne Brand. Toronto, James Lorimer and Co.,.1978. Cloth $12.95, paper $6.95. divorced. Later she again married only to be separated once more. In 1970 she helped establish the Boston Indian Council and this marked the turning point in her life. For the next six years until her death in 1976, she devoted her energies to the welfare and struggles of the Indian people. This included participation in the oc- cupation of Wounded Knee (where she slipped through police lines to help her people) aid for arrested AIM leaders; and help for the Indian people on the Pine Ridge Reservation who were being subjected to a campaign of genocide by punitive police forces. Her life was an example of how an ordinary woman, when she becomes involved in serious social struggle, matures, grows and develops to the point where she makes the social struggle the centre of her life. The chapter of the book titled “The FBI’s Secret War Against Dissent”’ is a searing indictment of a powerful national political police force which considers all dissent treasonable and subversive and which, like its counterpart the CIA, employs every unlawful means to destroy dissent movements and eliminate their leaders. Included in the FBI list of subversive movements as_ targets for “destabilizing actions’? are the United Farm Workers led by Caesar Chavez, the Quakers, the women’s liberation movement, the Boy Scouts, and of course the AIM. The occupation of Wounded Knee by the FBI and other punitive forces was followed by 562 arrest and 54 violent deaths of Indians (most of them AIM supporters) in the next two and a half years, scores of beatings and shooting and other forms of terror and harrassment. On June 26, 1975 two FBI agents were shot to death on the Pine Ridge Reservation in a shoot-out. Again the reservation was placed under virtual martial law, 150-200 FBI agents were rushed in, a special weapons and _ tactics (SWAT) team combed the reservation, and the reservation was patrolled with airplanes, jeeps and police dogs. In September 1975, Anna Mae was arrested and allowed out on bail as the FBI began its campaign to arrest AIM leaders and charge PACIFIC TRIBUNE— —May 26, 1978—Page 10 them with murder. Anna Mae had felt for some: time that her days were numbered. When she failed to show up for her trial, because she was given a wrong date, she was rearrested. “If they take me back to South Dakota,” she told a reporter, “T’ll be murdered.’’ She was taken back in chains, finally released in the custody of her lawyer, and then walked out of the motel room in which she was staying and went into hiding. On Feb. 24, 1976 her body was found on the Pine Ridge Reserva- tion in a state of partial decomposi- tion. A Bureau of Indian Affairs pathologist subjected the body to an examination, cut off the hands at the wrists to be turned over to the FBI, and the body was buried as that of an unidentified Indian “woman who had died of exposure. Indian leaders managed to get the body exhumed and identified and found that she had been shot in the back of the head. As the author says, ‘The evidence suggests a conspiracy to prevent. the discovery and investigation of the murder of Anna Mae Aquash,”’ Just who murdered (executed would be a better word) Anna Mae Aquash has not yet been revealed. But that the FBI was in one way or another responsible, there can be little doubt from the evidence _ outlined in the book. The role of the RCMP and the Canadian government in Anna Mae’s death was nothing less than disgraceful. The daily press played” it down. The Canadian government was loath to even inquire about the death of this Canadian Indian woman in a foreign country and when pressed to do so limited itself to repeating the press releases of the FBI which was itself under investigation and suspicion in ue case. And, as the book reveals, in close cooperation with the FBI the RCMP is carrying on activities against Canadian Indian organizations that includes spying and disruption. Its paranoic at- titude is illustrated by an RCMP document which calls the small Red Power movement in Canada “the principal threat to Canadian Stability.” This fact-filled book is required reading for all who are concerned with the struggle of the Indian people for social justice. — Ben Swankey Making of young: addict explored — The promotion for this film does it a disservice when it sums it up as “touching’’, ‘‘beautiful’’ and “human’’. It is each of these things, but A Hero Ain’t Nothing but a Sandwich is much more. Most of dil it is a very frank, true-to-life study of the social conditions that destroy the lives of many young people before they have really had a chance to begin. It is a story of a 13-year-old heroin addict and there is a lot in it that is neither ‘‘touching’” or “beautiful’’, but brutally real. And although it is a movie essentially about a black family in Los Angeles, there are compelling lessons that are applicable to the problem of the about 7,000 heroin addicts in Greater Vancouver. Reunited from their earlier pairing in the movie Sounder, Cicely Tyson and Paul Winfield are tremendous in the roles of com- mon-law parents of Tyson’s son, Benjamin. But it’s Larry B. Scott’s per- formance as ‘‘Benji”’ that is key to the film’s success by unlocking the mystique surrounding the making of a young addict. Growing up in a poor, black area of Los Angeles, by 13, Benji had already lost his childhood. Like most of his friends, he learned about life on the streets, a process that quickly hardened his childhood fantasies into cynicism. An important part of the cynicism, around which much of the movie revolves, stemmed from a broken home after his father simply walked away, leaving nothing behind but a picture. The shattering of the father role left a deep imprint on Benji, and one which Winfield, an unemployed musician supporting the family by working as a janitor, has great difficulty filling in. Just as important, however, is Benji’s social awareness, highly developed even at his young age. Malcolm X, Marcus Garvey, W.E.B. Dubois — they were names that he knew and could recount, but they were frustratingly old - answers for Benji, without a present. At one point he responds to his black teacher’s attempts to instill a sense of pride in black history with the sharp comeback, “But what about now . . . What about the now answers.” Before long Benji had stopped looking for answers and had substituted pleasure, at the end of a needle. Of course from that point on, his life runs downhill, creating a series of problems and intense pressures on his family, until an overdose lands him in the hospital. The latter half of the movie describes Benji’s struggle back, in a sense a struggle against his own cynical appreciation of a world where ‘‘a hero ain’t nothing but a sandwich’. A HERO AIN’T NOTHIN’ al A SANDWICH. Starring Lary B. Scott, Cicely Tyson and Pall) Winfield. Screenplay by Alic® Childress. At the Varsity — Theatre, Vancouver. 4) In the end, the forging of a new relationship with his stepfathel provides the decisive impetus for Benji to beat his habit. If anywher® itis here that the movie falls shor perhaps by overstressing thé personal as opposed to the social solution of the problem. i There is a glimpse of the politica! | answer as well, though, when UF black teacher leaves the classro0!” to deliver a eulogy for anothél black teenager, killed by overdose of heroin. A Hero Ain’t Nothing but a Sandwich is a very moving, humal film. It is based on an wand winning book by the same name, authored by Alice Childress, W' did the screenplay. | It is released by New World Pictures, a smaller studio, with the co- operation of Tarzan psychiatric institute in Los Angeles which provides some of its vivid realism. This is a movie which should follow the book in winning aaa 1 not because it is “‘touching”’, because it is real. — Fred wilsot Wide reading - May 5 marked the Day of the Press in the Soviet Union whet? more than 8,000 newspapers, if total press run of 170 million copies are printed in 57 languages. M any newspapers are published in the languages of peoples which befor” 1917 did not have a writ! language. Some 4,860 different journals 2 and magazines are also published with a total annual output of 3; n million copies — more than f copies per Soviet family. -CAN.-USSR ASSOC. invites you to MAY FILM FEST AND MEETING SUNDAY, MAY 28 805 E. PENDER, VAN. 2 P.M. - 8:30 P.M. Full of activities for the whole family... hefty snack at 5 p.m. Sat. June 3 — Russian Hall, 600 Campbell Ave., Doors open 6:30 p.m., Supper 7 p.m., Dance from 9 p.m. Admission: $4, $3 OAP, Unemployed RIDE THE RAILS WITH RANKIN’ Celebrate Harry Rankin's birthday in dirty thirties style Best Depression Costume!!! Tickets at Co-Op Books, Tribune Office or. 874-4806 | $30 prize for Sponsored by } COPE and the B.C. Youth Festival Committee-