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i Pent:

: She
“measure
centration to preserving -
each

only
tour of ‘Hello, Dolly!"
when it reaches L.A.
One question. Since Miss
Channing has been
playing this role for such
a long time, isn’t herjn-
terpretation likely
grow just a

mechanical? - B.R.

A. Exactly the reverse: -

Carol cherishes. this role
and treats the character

_of Dolly Levi with enor-

mous relish, care. and
respect, scrupulously
adhering to the per-

formance she created

opening night on Broad-
way nearly 20 years ago.
imparts
of —con-
infection’ and
gesture, .
“spon-

tion-in Dallas, -and if
anything, Channing's

. now classic role is full of

added. nuances that only

‘the patina of time can

bestow, And she’s

f heading the show toward |
-: Europein the fall.

How did Peter

Q.
» Allen, who is a native™

Australian, come up

_ with the year’s Oscar.
winning tune and the line

“Between the Moon and
New York City?” - J.L.

_.- A, Allen was flying in -
: from. Sydney, Australia,
.en route to a headlined
‘appearance at the famed ¢

end of a 36 hour flight.

~He was very tired and

was waiting for his plane

to land at JFK, but: there musical melancholia, His

_ contribution :

was. a-delay. With his

plane stacked up in a
_. holding pattern, Peter,
said he looked
. saw the full moon and
- looked down and saw the:
magic lights.of Manhat- ~
_ tan sparkling like a
-: million.diamonds. From: «..
‘that, he’ said, evolved the

up and

Oscar winning “Arthur's

Theme’- The Best That.

You :Can™. Do," -con-

taining the. ‘line, “Bet.
: ween | a boa Re”

Carol ‘Channing's .

bit .

2% great.

ensuring — a.
- freshness >-and—
~ taneity at
' formance.

each — per-
Recently, [ .
caught this new produc- .

. - drummer, no less. .

York City," which he
produced
collaboration with Burt

Bacharach Carole Bayer
Sager and Christopher
Cross, —

Record Reviews —

Don Henley’s new solo
release indicates that while
there may he life after The
Eagles, it’s not all. that
interesting.

Henley was drummer-

. Votalist for the” southern
“California —

hand. that
originally ‘backed Linda
Ronstad before soaring to
greater heights: during the

"Tos: He gives his first solo
"outing -

the « proverbial
college try, but ‘the -result
shows that he has not yet
acquired enough presence
to cut it'as a ‘performer in
his own right. |

The cover graphic of- 1
Can't Stand Still (Asylum

Records) depicts: Henley
‘alone

“at oa table,
methodically burning a box
of" kitchen - matches. ,
Acceptable pastime for’ a.”
dateless Saturday night
perhaps, but’ dull.
comment applies to both the’
graphic. and the disc. -

One might. expect. that as -
a drummer, Henley would:
have eriotgh acumen. to
steer away from.a lifeless

opening line...His leadoff-
. tune, the litle song, plods.so__

mercilessly that: it. might-..
- well have been put down at

the end of a hour. studio.
session. as ;
Nor does he pick. up much
from there. The: followup.
You Better Hang Up,‘is-a-
would-be up-tempo ‘number :
by’ guitarist :
producer Danny ‘Kort-

chmar, who wrote ‘the’ bul
ofthe album's material with -

". Henley. It features one of

“the package’s better lyrics

accompanied - by .’a- sappy

score and a drum intro. that
- amounts: ‘to nothing more

‘Concord Hotel: in ‘the ° than.a basit rock two-four.

Catskills. [t was the tail -

Ard that's from a seasoned

_ Aga vocallst, Henley. ia at:

- his best when he wraps hia. :

throaty | pipes - around

to. Stevie
Nicks’s recent Leather and ;

. Lace,” ‘for. ‘example, .” per

~ fectly offset her. forthtight,.
* almost brassy, ‘delivery ‘on
‘the love:song. :

As such he’s perfectly at
home with Long Way Home,

: the album's first ballad, and.

even better on ‘the -tender’

’ Talking To The Moan, o one of
two “rita collaboration Hee
with hata obiher. *

That .

and: co--

‘bright - backing
among them guitarist Brian

- dition -

But with few other ex-
ceptions, Henley's

presentation is uninspired.

Side 2 offers some-

‘ material that's more .en-

terprising for its.meggsage:
than its melodic “Genteat.

Included - are
commentaries about the

‘unfeeling element sup-.-

posedly- inherent in jour:
nalists (Dirty Laundry), the
juyenile delinquent syn-

drome (Johnny Can’t Read)

and yet another addition to

the no-nukes bandwagon -
- (Them and Us}, ..

Clearly, Henley hag. too
much going for him to

caustic |

dismisa him'on the basis of

Can't Stand “Still. But

. equally clear, the albunt’s’
brightest
 courlesy of that: box of
_ kitchen ‘Matches. on. the

spark comes’

cover. a.

The flaws in tientey' 8
work are all the more ap-
parent when played back-to-
back with the new release '
from former Eagles. bassist -
Randy Meisner. But.
Meisner “has had two
previous outings in which to
hone his. solo artistry...

Immediately’. evident - “1p

the superior production. ‘of
Mike’ Flicker, providing @
comfortable setting for
Meigner's charismatic
vocals and carefully plotted

arrangements.

., Randy, Meisner (Epic.
Records) shelves all.
pretensions toward “serious .
artistry": in.favor of some
unbridled, fon pop-rock
enhanced by. a ‘wealth of
‘talent,.

Smith © from | the: “Canadian

| Broup

-Key cuts ‘are David

Palmer's Darkness of the -

Heart, the John Corey tune:.
Doin’ Tt. for: Delilah’ (grim.

_ story but. spirited delivery)

and the Elton. John-Gary’
Osborne - collaboration |

- Strangers,.a likeable ballad.

featuring’. Meisner in duet
with: Heart's Ann ‘Wilton:

The: album. includes. the
rocker ‘Tonight, ‘by: Van-

-couver recording artist
~ Bryan Adams and perpetual’

writing - partner ~Jinv

‘Vallance,:a passable ren-

that's °- -superbly

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