By MAURICE RUSH aa duver ‘oe Secluded corner of Van- her beloved weY Park, not far from of Cana das Siwash Rock, lie the ashes Son, on Poet, Emily Pauline Tent made a Simple rustic monu- Sting Dace stone marks her last ‘ childre contain where in sum- Beach ty a come up 7 ee _Saw the passing of i lan. All those years Med th Ned the ; tm Ore tha : : Pauline n a writer of nature “People 4 oSOn was a trib ple, the Native Indians, She "gs of her people, the use to which they her own pen trans- t feelings of her side of her life bourgeois so- Be Ato her men had a keen aware- 8 those Canadian life. Con- & Indian. Ould have her an origin she once Ta ee Indian aed ben and my life that humbly ee bard of igs Singer of her —S €ver seen e noblest folk the €T Most outstandin .* 0€m snes The Cattle Thief N chieg jclates the chase of Ching ang) .,2 band of men €d by ad killing him they are an Indian pee van Cur . Sed, and Called him hi ief, | Robson Ist of = oa you robbed er ™m and Tobbed m Stary, & at tne Y people... ed wie a8 Shrunken face, Ollow hunger, your race, Cattle are not ours Our meat; : ck th "ih of game; te © furs Hebe ts Before you eeere* J e; Peace and the plenty... E. Pauline Johnson Bard of her people With her poetry Pauline Johnson challenged those in high places whose policy it was (and still is) to destroy the Native Indian people. Through her a powerful voice was found which cried out against the wrongs being done to them. It is for this reason that the ruling circles in Canada have endeavored through the years to destroy the best tradition of Pauline Johnson. It is for this reason that progressive Canadians have a responsibility to bring before the Canadian people the true social character of her poetry and legends. However, while assessing the pro- gressive social character of her works, it would be wrong to close your eyes to the shortcomings. Those who read her poetry and biographies will be im- mediately impressed with this contra- diction: on the one hand, she spoke out strongly for her people, on the other, her ideas were strongly influ- enced by the thinking of the ruling circles of her day. Thus she wrote poems such as Riders Of The Plains which glorify the RCMP, the very force first brought into being to suppress her people. Her failure to see clearly the forces oppressing her people and the fact that she was her- self influenced by them, lessened the impact of her struggle for the rights of the Native Indian people. * Bg * Pauline Johnson’s early life on the Indian reservation near Brantford, On- tario, where she was born March 10, 1862, to Mohawk Indian Chief Johnson; and his English born wife, Emily Sy Howelle, prepared her for her role she was later to play as tribune of her people, and outstanding Canadian poet and_patriot. As a child her home was saddened on two different occasions when her father, a leader on the reservation, was beaten near to death by gangs. Wealthy men seeking control of the reservation’s timber organized the gangs to assault him, trying to silence his opposition to their scheme to dis- possess the Indians of their already limited rights and properties. In her early years Pauline Johson was profoundly influenced by the Northwest Rebellion led by Louis Riel in 1885. There was no mistaking her support for the heoric struggle of the Metis and Indians for their rights. Although only 23 years old at the time, she wrote one of her most powerful poems, A Cry From An Indian Wife. AN INDIAN WIFE They but forgot we Indians owned nd ae that they From ocean unto ocean, stand ‘ Upon a soil that centuries agone — Was our sole kingdom and our right n ae, oes think how they would feel today, If some great nation came from far away, : Wresting their country from their helpless braves, ae Giving what they gave US --- wars and graves. ; Then go and strike for liberty and life, And bring bac wife. k honor to your Indian Go forth, and win the glories of the war. Go forth, nor bend to greed of white men’s hands, By rights, by birth we these lands Though starving, crushed, plundered, lies our nation low .-- Indians own Above all, Pauline Johnson was a great Canadian. Although the sharp edge of her writing was directed at the abuses against her people, she loved Canada dearly. Hers was a true pa- triotism which sprang from love of her country and its people, from an abiding confidence in its future. She saw the Native Indian people as part of a great Canadian Brotherhood, tak- ing their place in the building of a na- tion of many peoples. In a poem written for the unveiling © of a monument for Joseph Brant, great Indian leader, she wrote: Young Canada with mighty force sweeps on, To gain in power and strength before the dawn... Then meet we as one common brotherhood In peace and love with purpose understood. In these days when Canada’s inde- pendence is being betrayed to the United States by our ruling circles, it would be well to recall the reactions of Pauline Johnson to Yankee expan- sionism. In 1902 she travelled through Sas- katchewan, which at that time had been widely settled by Americans. In a narrative of her trip she relates how she dined at the home of Americans, » and during the course of the discus- sion, her hostess said: “When next you come here you will see the Stars and Stripes flying over this shack.” Pauline Johnson reports that she replied in jest, “If I do I, will empty a shotgun into it.” ’ From the succeeding remarks in her narrative it is quite clear that Pauline Johnson was not jesting and that her reply really expressed her true senti- ments at American occupation of our Northwest. Later Pauline Johnson wrote: “We left our Yankee hostess and her stri- dent sentiments far behind us, our great Canadian prairie was a sweeter thing to contemplate.” Pauline Johnson’s love of Canada did not blind her to injustice elsewhere in the world. She considered it part of her patriotism to speak out against tyranny wherever she saw it. Thus it was that she was deeply moved by the Dreyfus case in France. She wrote a poem entitled, Give Us Barabbas. a PACI Once more a man must bear a nation’s stain, ... And that in France, the chivalrous, whose lore ’ Made her the flower of kni gone by. oe Now she lies hideous with leprous sore No. skill can cure... no ae pardon Hide from your God. O! i mee ye that did With lesser crimes the halls of Hell are naved. ; Your army’s honor may be still intact, Unstained, unsoiled, unspotted, . . but unsaved.” : _While She lay in a Vancouver hos- pital dying of cancer, she told her - friends: “I wish that there were but one of my poems that could set fire to the hearts of men, and thrill them with the glory of their nationhood.” Pauline Johnson’s patriotism was of the kind the dominant circles of the Canadian ruling class today are trying to de- stroy because it stands in the way of their selling our nationhood for Yankee dollars. Pauline Johnson was no recluse who wrote her poetry in an ivory tower. She was close to the people, and in a very true sense was a people’s artist. For years she travelled from one end of Canada to the other, reciting her poems in hundreds of cities and towns to audiences which made up a cross- section of the Canadian people. She toured British Columbia during the gold rush days in 1895 and after. There was hardly a mining town in which she did not hold her audiences spell-bound with her poems and artist- ry. Friends who travelled with her re- late how she would sit and listen to the stories of the miners. _The love she had for people was re- © ciprocated. After she moved to Van- couver, which city she loved and adopt- ed as her home, she faced consider- able financial hardships, followed by ill-health, But her many friends came to her aid. The deep affection the people had for her was shown at her death. Hun- dreds of people filed by her coffin and thousands took part in the funeral pro- cession. Vancouver City Council closed its offices that day and all over the city flags flew at half mast. Seldom had such respect and love for an artist been shown by people anywhere. Pauline Johnson was a true daughter of our Canadian soil. Her life, her poems, her legends are part of the Canadian saga. They are part of our progressive national traditions which Canadians must claim as their own and in so doing restore them to their proper place in our history and culture. beta AS JOSS A wid I) Ch CN. bh TAS aki IC TRIBUNE—FRIDAY, APRIL 23, 1971 ADAGE T ¢