————— The Potters Guild of B.C. NEWSLETTER is published 10 times a year. Submissions are welcome, and should be in the Guild office by the last Friday of the month. Material may be edited for publication. Managing Editor: Jan Kidnie (Jorgenson). Editorial Committee: Bob Kingsmill, Laurel McGregor, Hiro Urakami, Nathan Rafla, Anne Ficetham, | Mailing: Rosemary Amon, Jobst Frohberg, Jackie White, Savita Kryshatriya. Advertising rates: $75.00 full page: $40.00 half page; $25.00 quarter page; business card $15.00; classified $5,060 for 3 lines; additional lines $2.00 each All ads must be prepaid. The Potters Guild of B.C. meets the fourth Wed- nesday of every month, Membership in the Guild is $20.00-individuals, $30.00-groups, January to January. See application form elsewhere in this is- sue, Board of Directors: Sam Kwan, Pres., Daniel Matera, lst V.P.; Maria Zaron, 2nd V.P.; Anne Tolmie, Secretary: Terry Ryals, Treas.; Bob Kingsmill, D'Arcy Margesson, Cherie Markiewicz, Elsa Schamis, Ron Tribe, Billy Wittman & Kathyrn | Youngs, AWARDS REPORT The David Lambert Incentive Award [for a first-year student) and the Olea Davis Memorial Award (for a second-year student) of $50.00 each were given at three colleges for 1988. Capilano College- lo Nancy Lyon, and Margaretta Ware: Kwantlen- to Nichol Dhameiv, and Fredete Frame: Langara- Stephen Hanson, and Debra Delinsky. The Artist-in-Residence for 1988 was Nathan Rafla. The Board has passed a motion to review the awards program early in 1989. Anne Talmie, Secretary MEMBERSHIP NOTE I fuess I cathe on boo strong, suggesting that the Guild would charge a surcharge for late payment offees, The Board suggests that come April, i we have not re- ecived 1989 fees from previous members, those names will be removed from our mailing list. Sounds reason- able tome!. Inthe meantime, you should nole on your label a handwritten “89" if you have paid your fees. Thank you to those who have so quickly sent in your membership. Jan Kidnie EAST COAST MAIL Dear Potters Guild: Just a note to tell you how much I'm enjoying the Newsletter, ...Kingsmill's ramblings, especially. Al- though I'm only a part-time, self-taught potter, | like to read about what the mainstream professionals are up to , the exhibitions and workshops. I'm really enjoying the photos, too, And one of these years Il be in the Lower Mainland at the right time to participate in some contemporary potling sessions, My vantage point has always been from the Bulkley Valley, where [ make primitive coil-built pots, kiln gods, and slab wall murals, This year, it's [rom the Annapolis Valley in Nova Scotia, where my hus- band is taking some 50-week courses. Naturally, | brought my tool-kit...and even my kiln [can you believe it?—don't leave home without it!!} but so lar the practical details of getting it all set up have defeated me. The old kiln is dozing peacefully under quite alayer of sawdust in the landlord’s woodworking shop, In the spirit of "When In Rome”, I've taken up Acadian Primitive Rag Rug Hooking in Continuing Education classes here in Bridgetown, a sleepy little old Victorian-age farming town, It’s aright jolly group which enables me to pick up all sorts of Maritime accents and expressions!! The hookings are a great way to record some of the delightful W.5, SCONES. ....0000 It's a VERY picturesque country. Anybody there have any ideas on how | can incorporate Pictorial Rug Hooking with Hand-built Pottery when [ return to the beloved B.C. coast in the fall? I'm REALLY beginning to miss that feel of clay in my hands. Yours truly, Anneke Pearse Box 224, Bridgetown, Nova Scotia, BOS 100