COLUMBIA 2010 Canadian Clay Symposium The View from Boyond ope By Lesley Lloyd & Connie Haeussler Four of us from Williams Lake (Lesley Lloyd, Buff Carnes, Judy Prevost and Lisa Christie) left on Friday morning for the Big Smoke. Connie Haeussler joined us later at the symposium. After driving through about three hours of snowy, slushy conditions we stopped in Hope for some sushi then on to Greenbarn for supplies. We found the show Out of the Ombu in Maple Ridge after much manoeuvring, only to discover it had closed thirty minutes earlier at 4 p.m., so all we could do was drool through the glass doors. After checking into our hotel, the next stop was back to the Place des Arts in Coquitlam to view the Sculptural Figures display before supper. What a great start to our clay/art weekend! ‘The next morning, we were at the Shadbolt Centre bright and early—too early to even check in. We begged a cup of coffee from the concession, then went in to check out the Mug Wall. Sales didn't officially start until 9 a.m. but volunteers conceded defeat and opened sales earlier and we weren't able to be there to scoop our choices. (At NCECA, people line up outside on sale day for two hours!) When things officially got underway, we all went to various presenters. Lesley started with D’Arcy Margesson, and found him to be very informative, knowledgeable and engaging. He obviously teaches on a regular basis. The only problem was that the session wasn't long enough. He could have easily done two or even three hours to handle all the questions. Lesley had brought a glaze she was having trouble with, as did two or three others, but D'Arcy didn't get to hers (but has promised to email—hint, hint.) Lesley stayed in the same room to watch Joan Bruneau's slide show of her pottery and her home. Wonderful pictures and great pots! Others watched the Barron demonstrate how he throws his large Australian Robert wood fired pots, adding and throwing coils as the pots harden. After a wonderful lunch, Lesley hung around to listen to Les Manning critique the Roadshow for a few minutes. So much to see and do, she opted to stop in to New Brunswick potter Peter Powning’s raku presentation. Incredible work but the lack of technical info was a little frustrating. We did come in late to the session so he may have covered some things earlier. That is one of the drawbacks of the symposium—people coming and going asking questions that were asked just minutes before they joined that particular session. ‘The last presenter Lesley visited was Don Hutchinson, She didn't realize she had come in on the tail end of the session but, after a short break, Don re-did his presentation and it was very inspiring and a great end to an over-all wonderful day. After Carol Mayer recognized several long- time members’ contributions to the ceramic community, Jack Troy showed slides. Thinking he was done, most of us prepared. to depart. He went on to give an inspirational talk that kept us hanging on his every word. Lesley has been to every symposium since they began and normally by the end is over-stimulated and can hardly take in the final speeches. We had no trouble listening to Jack and would love to have a copy of his talk. He quoted several potters, talked about his experiences and his students and over-all gave a very up- lifting talk. Our weekend wasn't over yet as on Sunday we visited Granville Island and the Museum of Vancouver's three craft-related shows featuring outstanding pieces from British Columbia, other parts of Canada and Korea. Ending the day at the ceramics collection in UBC's Museum of Anthropology, we were in major over-load by 4 p.m. On our way home Monday we dropped in on Don Hutchinson's show of wildlife- inspired pots at Douglas College. And our last, but definitely not least, stop was Holly McKeen's studio in Chilliwack. Even though her studio was officially closed, she generously gave us a tour and shared her knowledge of crystalline glazes. And we just couldn't resist buying a couple of things. All in all, a wonderful weekend was had by all. For those of us living beyond Hope, an opportunity like the symposium is like water to a parched man. Gailan Ngan threw porcelain tea bowls off the hump, and then used her fingers to personalize the bowls by pinching dots and ribs thin enough to be translucent after firing. shadbolt centres spring & summer ceramic arts workshops me a : 2 2 2 g E > = x Z < Gesture & Expression in Clay: Understanding Body Language and Figurative Sculpture with Elaine Brewer-White $149, 2 sessions Barcode 218386 Sundays, April 11 & 25 Coloured Clays: Form & Surface Vince Pitelka, head of the Clay Program at Tennessee Technological University’s Appalachian Center for Crafts, introduces patterned-loaf coloured clay techniques. $350, 5 sessions Barcode 218053 W/Th/F/Sa/Su, starts July 14 Taxes not included. Call Shadbolt Centre at 604-291-6864 or register online: burnaby.ca/webreg City of pee shadboltcentre.com Potters Guild of BC Newsletter - April 2010 Photo by Tanis Saxby