in long vertical cracks near the corners. However, as noted above, they are contained by angle iron bracings. Aloft we have set an old water heater, which gives an extra two and a half feet of stack and makes all the visitors think we heat our house off the kiln. We add- ed this Interesting after-thought because we experienced back pressure in the first couple of firings. This addition certainly helped but so did the kiln shed we built around it later. We fire to cone 9 and it takes, depending on the weather, from 12 to 15 hours. Results, considering the fact that I really haven't finished getting to know the behemoth yet, are pleasing. We bring down cone 9 very evenly all over the kiln and can't say we have any particularly cold spots. It does not call for any particular variety of glazes to accommodate the temperature differences because they aren't great at all. Reduction takes place at cones 1, 3and 8. I guess by most standards [ don't reduce very heavily but I can get some nice copper reds. Haven't tried celadons yet. I constantly alter the stacking in the middle and front areas but leave the back alone, never removing the shelves, simply because it’s such a back breaker to put them in and out. This was a design mistake on my part, too deep a chamber for convenient loading. Also the flue chamber could have been built lower, had I known more about flues, and I'd have wasted less space in the kiln bottom. That flue is the main point I'd change if I were to build again. The whole thing, including the first filling of the 1000 gallon tank, but excluding any wages of course, cost $2,000. It costs about 520 to 530 per firing. This seems a wide fluctuation and may have some- thing to do with the variation of firings from summer temperatures to zero weather. I think in the future I'll try to curb the number of win- ter firings because it's a cold experience to stack at zero temperature and probably quite wasteful of fuel. But I'm still doing a lot of learn- ing, not having had the opportunity to ever fire or fiddle with a gas kiln before. And I wouldn't have missed the hard work, companion- ship, problems of building or the excitement of firing the beast for anything. Frances Hatfield