REBECCA
SELECTED
2000

GROUP

I , Witness, Edmonton A r t Gallery
Edmonton, Alberta
installations
Many/One, in memory

BELMORE
EXHIBITIONS
1994 Recontre internationale d a r t performance de
Quebec, Le Lieu, Quebec, Quebec
performance (with Reona Brass)
a ffilia tion/a fflic tion
6th Native American Fine Arts Invitational
The Heard Museum, Pheonix, Arizona
installation, a blanket for "sarah"

Material Culture, Paris Gibson Square Museum,
Great Falls, Montana
installation, Many/One
performance, Bury My Heart
1999

Time Time Time, FADO,
Toronto, Ontario
performance, manifesto

1998

Biennale of Sydney, Sydney, Australia
installation, Paradise

Faret Tachikawa A r t Project
A r t Front Gallery, Tokyo, Japan
permanent public installation
I wait for the sun
History 101: The Re-Search for Family
Forum for Contemporary A r t
St. Louis, Missouri
installation, X mark

Canadian Performance A r t Tour,
Germany, performances (various)
1997

The Red River Crossing, The Swiss A r t
Institute, New York, New York
installation
Us. With a Landscape.
7 a - l l d Performance Festival
Toronto, Ontario
performance, for Dudley

1993 Margins of Memory, A r t Gallery of Windsor,
Windsor, Ontario
sculpture, Rising to the Occasion
1992 Land Spirit Power, National Gallery of Canada,
Ottawa, Ontario
installation, Mawu-che-hitoowim A Gathering
of People for Any Purpose
Indian Princesses and Cowgirls: Stereotypes
from the Frontier
Oboro, Montreal, Quebec
performance, Road Trip West

InSite 97, San Diego, California
installation
Awasinake: On the Other Side
1996

Bienal de la Habana, Habana, Cuba
performance, Untitled

Liaisons, The Power Plant
Toronto, Ontario
installation, Temple
1991
Metissages, Galerie Optica
Montreal, Quebec ,
installation (with Florene Belmore)
Imposition

1995

Longing and Belonging: From the Faraway
Nearby, Site Santa Fe,
Santa Fe, New Mexico
installation, New Wilderness
performance, From the Same Earth

Between Views, Walter Phillips Gallery, Banff,
Alberta, gathering/performance
Ayumee-aawach Oomama-mowan: Speaking to
Their Mother
Interrogating Identity, Grey A r t Gallery
New York University, New York
sculptures, Rising to the Occasion

1990

Biennale d'art de actuel, Quebec, Quebec
performance, August 29, 1990

SELECTED

2001

33 pieces, Blackwood Gallery
Mississauga, O n t a r i o
installation

2000

The Indian Factory, Tribe/AKA
Saskatoon, Saskatoon
performance/installation

SOLO

1996

Ayumee-aawach Oomama-mowan: Speaking to
Their Mother, Assembly of F i r s t Nations,
Ottawa, Ontario,
gathering/performance

1995

Tourist Act # 1, I n s t i t u t e of American
A r t Museum, Santa Fe, New Mexico
performance

1993

Many/One, Galerie O p t i c a ,
M o n t r e a l , Quebec
installation

Wana-na-wang-gong
Contemporary A r t Gallery, Vancouver
B r i t i s h Columbia
installation

1992

Dreamers, Keyano College A r t Gallery
Fort McMurray, Alberta
installation

Ayumee-aawach Oomama-mowan:
to Their Mother, national t o u r
gathering/performance

1988

Artifact
671B, Thunder Bay, Ontario
performance in support of Lubicon Cree
b o y c o t t of Olympic Flame

Gallery

on this ground, Rhode I s l a n d Museum of A r t ,
Providence, Rhode I s l a n d
installation
1999

EXHIBITIONS

Don't take your guns to town, University of
New Brunswick, F r e d r i c t o n , New Brunswick
performance

SELECTED

ARTICLES

AND

Indian

Speaking

REVIEWS

Belmore, Rebecca, "Autonomous Aboriginal High-tech Teepee Trauma Mama", Canadian Theatre Review, No. 58 (Fall 1991)
Burgess, Marilyn, "The Imagined Geographies of Rebecca Belmore", Parachute 93 (Jan,Feb,Mar 1999)
Fleming, Kathleen, "Longing and Belonging: From the Faraway Nearby", Parachute 82 (April, May June 1996)
Lacey, Liam, "Native artist puts new spin on the western", The Globe and Mail, (September 22,1990)
Laurence, Robin, Rebecca Belmore:Wana-na-wang-ong", Canadian Art (Spring 1994)
Mitchell, Charles Dee, "Introducing SITE Santa Fe", A r t in America, (Octoberl995)
Phillips, Ruth, "Woodlands Indian Souvenir Art as Visual Text", Reinventing Iconology in the Post-Colonial Age", Texts 8 (Summer 1992)
Podedworny, Carol, "Okanata", C Magazine, No. 32 (Fall 1991)
Rushing, W. Jackson, "Contingent Histories, Aesthetic Politics", New Art Examiner (March 1993)
Sharman, L, "Making A r t in the State of Texas", Fuse, Volume 51
Tourbin, Dennis, "Visual Cadence", Artscraft, Volume 1 No 4
Townsend-Gualt, Charlotte, "Having Voices and Using Them", Arts Magazine (February 1991)
Townsend-Sualt, Charlotte, "Rebecca Belmore" Parachute 74 (April, May, June 1994)
Watson, Scott, "Whose Nation?", Canadian Art (Spring 1993)
Weiss, Rachel, "Interrogating Identity", High Performance No. 56 (1991)