Richard Simmins:

Glenn Lewis ... is famous for hls broken ceramics, beautiful
light boxes, blue-taped environments, Chaplinesque humour
and his Eaton's overall wit. (Artscanade, June 1970)

Joan Lowndes:

Lewis' elght untitled plywood Closets, lined up in two rows
in the gallery, are themselves enigmatic sculptures, In
another sense they are simply containers for works of art and
for people - or rather for 2 programmed audience of one.
(Vancouver Sun)

Glenn Lewis:

In some ways 4 closet [s a modern symbol of art. People buy
it not because they like it, but to store it away in basements,
closets, racks and eventually make a lot of money out of it.
Artists have been captured into becoming commodity-makers
for middle-class culture.

Whether Chaplin, Eaton's or Japan enterteins Glenn Lewis'
muse, he is always making new challenges for it and
remaining the ring master.

Thomas H, Garver:

4.

Gathie Falk studied music as a young woman and teught
music, art, and English in a Vancouver school for twelve
years. During this time she began studying paintine during
summer Vacations. Her early pazntings are suggestive of
Matisse or Bonnard, bright interiors and still lifes, common
objects loosely painted in vivid reds, clear yellows and
bright blues. She was later to experiment with abstract, hard
edge forms, but these paintings were much less successful
than her earlier work.

When her interest in painting diminished, Falk began studying
ceramics with Glenn Lewis at the University of British
Columbia, While Lewis' course was intended primarily for
craftsmen, and the majority of the time was spent making pote,
plates and cther objects, 4 certain amount of sculpture was
required and Falk found herself fascinated with the plasticity
of the clay medium. Sha stopped teaching in 1965 and devoted