The King of Coin --16-year-old Bruce MceConachy of West Vancouver has stacked and anatched his way Into the Guinness Book of World Records by balancing 178 colns on the edge of a standing allver dollar and by catching 120 quarters flipped trom the back of his forearm. Bruce, shown bere with 140 coins balanced on the silver dollar, (10 more than the previous record), in an effort Angust 21, at the Pacific National Exhibition, managed to balance 170 colns August 24 just three hours after cracking the former snatching record by 23 colns. COMEDY: A funny TORONTO <«CP) — Professional funny men know the difference between a comic and a comedian. A comie is a:buffoon who says funny things A comedian is an actor who says things funny. Milton Berle, Red Buttons and Lou Jacobi .-. three sea- soned funny men who got thelr start as stand-up comics — now profess to be primarily character actors, The trio are in Toronto co- starring in Off Your Rocker, a $3-million comedy about the hijinks of residents of a home for the elderly. The Yanadianowned Hal Roach Studios International is shooting the film. In thelr dressing rooms recently, the funny men took off their clown masks and talked about the joys and tribulations of making people laugh. Berle said, “I know it sounds hokey but really, there's no business tike it. “Gob knows, it’s more fun than selling felt hats.” ,Berlewona speclal Emmy Award on Aug. 9 for being the original Mr. Television. It came 66 years after the boy from the Bronx became a child actor in the Perils of Pauline movie serials. “It’s a very tough business and people have the nuttiest ideas about it,’ said the 71- year-old former vaudevillian. “They think it’s all yuks and boffs and laughs, that I get up in the middle of the night to en- tertain my wite with Jokes. “They don’t realize the years of discipline and training it takes. My childhood ended at five. I was pushed into the business by my very determined mother, who makes Gypsy Rose Lee’s stage mom seem like Mary Poppins.” Grants cause of lack of quality WINNIPEG (CP) — Veteran actor Paxton Whitehead says the problem with Canads Council grants to support live theatre is an emphasis on quantity in- stead of quality Whitehead, former artistic director of the Shaw Festival at Niagara-on-the Lake, sald that when theatre groups began popping up in towns acroas Canada, the emphasis on quantity put ‘'the kiboah”’ on improvements in quailty. “] just question the value of the quantitative approach to giving grants,’ he said in an interview in Winnipeg, where he is to appear in Tom Stoppard’s: play Travesties, opening Oct. 12. “My quarrel didn’t have to do with the over-all amount of support, which is not too bad. I disagreed with the distribution of funds and the priorities in distribution.” Whitehead alsa criticized fundl licy for penalizing theatres that do well at the box efflee —a problem at the Shaw Festival. In 1976, he said, the Shaw played to 85-per-cent capacity. The Canada Council took a look at the figures and decided the festival was doing too well to merit an increase in its grant. While with the Shaw Festival, devoted to staging Shaw plays “and other classics, Whitehead seldom clashed with advocates of Canadian content in the theatre, But he questions the merit of such arguments. “The primary respon- sibility of Canadian threatre is to provide good, live theatre for people, most of whom don’t have the money tofly to New York or London to see a wide variety of theatre, If everyone could do that, fine, Canadian theatres could just do Canadian plays. “But the Manitoba Theatre Centre, (MTC) for example, is here to play to Winnipegers and its mission is to produce world theatre at a price they can afford. ey the ae usiness Berle said butterflies still roam his stomach in the hours before a performance . and he sweats so badly he is férced to make a complete change of clothes aftet each act. : Through it all, He never underestimates the’value of stockpiling jokes. He has compiled a cross-index file of more than six million jokes and he generously shares them with any young co- median who asks to copy them at Berle’s Hollywood office. The comedian also has reaped the financial benefits of his trade. Berle is a millionaire and he continues to collect $125,000 a year from his long-term NBCTV contract which runs to 1981. And thoughts of retirement are still far away. “] live to work. If I jay off for two weeks without an audience, I curl up and die.” That desire to work also has a hold on Red Buttons who, at 60, has experienced the best and worst of a comedian's career, “There's no joy like it when you're riding a vehicle that's a big hit. But, boy, when you hit rock bottom, do you feel sorry for yourself." Buttons was born Agron Chwatt, the son of a Polish immigrant hat blocker in the lower east-side — af Manhattan. “} don’t pretend ta be a Charles Chaplin,” said Buttons, who had his own television show In the mid- 5a. “But from the age of two J was jumping on the table and singing songs to cheer up my family. “T became a pro en- tertainer as a kid, singing for nickels and dimes in saloons, to help get my folka off relief in the Depression and myself out of the ghetto.” The entertainer became what he calla ‘ta batter from four sides of the plate.” “You've gol to be realilent in this business. I've done everything except work in a circus. [ move from farce to tragedy and back again to comedy, Everything from being a paratrooper stuck on a German church steeple in The Longest Day to esoteric stuff with George C. Scatt in Movie, Movie.” Buttons says road work keeps him away from his third wife Alicia and their two children. A lonely life, he says, but it does have compensations. « “When you get inside a character and touch people, hear an audience Jaugh or cry, you get a spiritual lift that's indescribable.”” : And laughs are what comedian Lou Jacobi is after. The 64-year-old, Toronto- born comedian remembers when he was paid nothing for the privilege of acting at the city’s Old Theatre of Action and then managed to scratch together $75 a week as a Yiddish dialect storyteller at bar mitzvahs and stags. At 66, Jacobi has some wellknown credits behind him, like the role of bistro- owner opposite Shirley Maclaine in Irma La Douce and Wolsky, ‘Alan. Arkin’s” impresario in The Magician ’ of Laiblin. .. “J've been blessed’ with sparkly eyeg,."a portly stomach and’ the’ innocent: face of a friendly fella.’*” -~ Jacobi said that in high school the principal would threaten him with a pointer: but then take a icok at hia face and collapse into’ laughter. “In the theatre It given: me instant identification.. People say, ‘He reminds me. of funny Uncle Max or my brother-inlaw, Joe' and. they're ready to relate to me." Jacobi won slar-billing on Broadway in Neil Simon's Come Blow Your Horn as well as Woody Allen’s Don’t Drink the Water. “The nicest compliment I ever got came from Neil Simon when I played the blustering father in Come Blow Your Horn. "He stood at the back of the theatre at its opening in Philadelphia and remarked to my wife Ruth, ‘You know, iwrote the father a3 a villain but Lou plays him with such warmth and humanity, he turns out to be lovable.” Jacobi saya the clue to being a successful comedian is to think funny. "It's a God-given gift and it can’t be taught. [t’s an attitude, a way of looking at life through slightly off- centre lenses.” T= was tity FOR NE - HOT OFF THE PRESS! n puke or ‘Get it all ... TERRACE-KITIMAT in the daily hera News of your community...your country...domestic and foreign affairs. 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