TT LIT LLIB By “MAURICE RUSH Ce “Young Canada with mighty force sweeps on, To gain in power and strength before the dawn... Then meet we as one common brotherhood In peace and love with purpose understood. The Legend Of Pauline a JX 4 quiet secluded corner of : Vancouver’s Stanley Park, not ar from her beloved Siwash Rock, lie the ashes of Canada’s Steat poet, Emily Pauline John- Son. Only a simple rustic monu- rent made of stone marks her ast resting place, a fountain 1 €re in summer the children she ved come up from the beach to drink. si hot dimmed the memory of her, hor lessened the importance of * contribution to Canadian life. The best works of Pauline John- Son are not widely known to the People of Canada. Attempts have ae Made to present Pauline Ohnson as an Indian poet who Wrote beautiful poems about hature. Indeed she did that. °ems such as Song My Paddle Sings have a lyrical beauty which Unsurpassed. But more than a writer of na- ure poetry, Pauline Johnson was 4 tribune of her people, the Na- tive Indians. She knew the suffer- gs of her people, the injustices and abuse to which they were Subjected, and her own pen trans- Muted the innermost feelings of er heart. Her most powerful poems, Which cry out against injustice, are not to be found in school Oks or Canadian poetry anthol- °8ies. That side of her life and aa “respectable” bourgeois so-' Ci ety prefers to forget. Pauline Johnson had a’ keen aWareness of her. role in Cana- dian life. Condemning those who Would have her forget her Indian °rigin she once wrote: “Tam an Indian, my pen and My life I devote to the memory of my Own people. Forget I was Pauline Johnson; but remember always that I was Tekahionwake, the Mohawk that humbly aspired be the saga singer of her peo- Ple, the bard of the noblest folk ” "€ world has even seen. . . Pauline Johnson did not mix ater with her ink when she Ote about the struggles of her ~ People, about their sufferings and heir rights as Canadians. Prob- Y her most outstanding poem Protest was The Cattle Thief. In this poem she relates the chase of an Indian chief by a. band Men. After catching and kil- § him they are confronted by Indian woman who says: of lin an You have cursed, and called him & Cattle Thief, though you rob- R ed him first of bread— Obbed him and robbed my peo- _ Ple—took there, at that shrunk- 5 €n face, ; tarved with a hollow hunger, we Whe to you and your race. hat have you brought but evil, TA curses since you came? °w have you paid us for our Same? how paid us for our land? ae ; Y a Book, to save our souls from n@ sins you brought in your ther hand. _ 7° back with your new religion, etre lt find you can— _On March 7, it will be 41 years. ance the passing of this great anadian. All those years have ~ The honest man you have ever made from out a starving man. You say your cattle are nof ours, your meat is not our meat; When you pay for the land you live in, we'll pay for the meat we eat. Give back our land and our coun- try, give back our herds of ame; : Give back the furs and the for- ests that were ours before you came; ; Give back. the peace and the plenty. Then come with your new belief, : And blame, if you dare, the hun- ger that drove him to be a thief. With her poetry Pauline ions son challenged those in high places whose policy it was (and “still is) to destroy the Native In- dian people. Through her = a powerful voice was found ici i out against the wrongs e- rain eaten ‘It is for this reason that the ruling circles in Canada have endeavored through the years to destroy the best tradition of Pauline Johnson. it is for this reason that progressive Canadians have a responsibility to bring before the Canadian peo- ple the true social character of her poetry and legends. ” However, while assessing the progressive social character of her works, it would be wrong to close our eyes to the shortcom- ings. Those who read her poetry and biographies will be immedi- _ us - PAULINE JOHNSON ately impresssed with this con- tradiction: on the one hand, she spoke out strongly for her peo- ple, on the other, her ideas were strongly influenced by the think- ing of the ruling circles of her day. Thus she wrote poems such as Riders of the Plains which glorify the RCMP, the very force first brought into being to suppress her people. Her failure to see clearly the forces oppressing her people and the fact that she was herself influenced by them, lessened the impact of her strug- gle for the rights of the Native Indian people. * Pauline Johnson’s early life on the Indian reservation near Brant- ford, Ontario, where she was born March 10, 1862, to Mohawk Indian Chief Johnson and his English- born wife, Emily S. Howells, pre- pared her for the role she was later to play as tribune of her people, and outstanding Canadian poet and patriot. As a child her home was sad- dened on two different occasions when her father, a leader on the reservation, was. beaten near to death by gangs.. Wealthy men seeking control of the reserva- tion’s timber organized, the gangs to assault him, trying to silence his opposition to their scheme to disposess the Indians of their already limited rights and prop-. erties. ; In her early years Pauline John- son was profoundly influenced by the Northwest Rebellion led by Louis Riel in 1885. There was no mistaking her support for the heroic struggle of the Metis and Indians for their rights. Although only 23 years old.at the time, she wrote one of her most powerful poems, A Cry from an Indian Wife. They but forgot we Indians own- ed the land Bae From ocean unto ocean; that they stand Upon a soil that centuries agone Was our sole kingdom and our right alone, : They never think how they would feel today, If some great nation came from far away, 2 Wresting their country from their hapless braves, Giving what they gave us — but wars and graves. Then go and strike for. liberty and life, And bring back honor to your Indian wife. Go forth, and win the glories of the war. Go forth, nor bend to greed of white men’s hands, By right, by birth we Indians own these lands, Though starving, crushed, Plun- — dered, lies our nation low. ... * Above all, Pauline Johnson was _@ great Canadian. Although the sharp edge of her writing was directed at the abuses against her people, she loved Canada dearly. Here was a true patriotism which sprang from love of her country and its people,-from an abiding confidence in its future. She saw the Native Indian People as part _ of a great Canadian brotherhood, taking their place in the building of a nation of many Peoples, In a poem written for the un- veiling of a monument for Joseph Brant, great. Indian leader, she wrote: Young Canada with mighty force sweeps on, To gain in Power and strength before the dawn. ... Then meet we .as one common brotherhood ae ; In peace and love with Purpose understood. In these days when Canada’s independence is being betrayed to the United States by our ruling circles, it would be well to recall the reactions of Pauline Johnson to Yankee expansionism. In 1902 she travelled through Saskatchewan, which at that time had been widely settled by Ameri- cans. In a narrative of her trip she relates how she dined at the home of Americans, and during | the course of the discussion, her host- ess said: “When next you come here you will see the Stars and Stripes flying over this shack.” Pauline Johnson reports that she replied in jest, “If I do I will empty a shotgun into it.” From the succeeding remarks in her narrative it is quite clear that Pauline Johnson was not jesting and that her reply really expressed her true sentiments at American occupation of our ’ Northwest. - Later Pauline Johnson wrote: “We left our Yankee hostess and her strident sentiments far behind us, our great Canadian prairie was a sweeter thing to con- template.” Pauline Johnson’s love of Can- ada did not blind her to injustice elsewhere in the world. She con- : sidered it part of her patriotism to speak out against tyranny wherever she saw it. ‘Thus it was that she was deeply moved by the Dreyfus case in France. She wrote ‘a poem entitled, Give Us Barab- bas. . Once more a man must bear a nation’s stain,— And that in France, the chival- rous, whose lore Made her the flower of knightly age gone by. Now she lies hideous with leprous sore No skill can cure — no pardon purify. ... Hide from Your God, O! ye that did this act! With lesser crimes the halls of Hell are paved. ; Your army’s honor may be still in- tact, Unstained, unsoiled, unspotted,— but unsaved.” While she lay in a Vancouver hospital dying of cancer, she told her friends: “I wish that there were but one of my poems that could set fire to the hearts of men, and thrill them with the glory of their nationhood.” Paul- ‘ ine Johnson’s patriotism was. of the kind the dominant cireles of. the Canadian ruling class today are trying to destroy because it stands in the way of their selling ‘our nationhood for Yankee dol- lars. ° * Pauline Johnson was no reeluse who wrote her poetry in an ivory tower. She was close to the peo- ple, and in a very true sense was .a people’s artist. For years she travelled from one end of Canada to the other, reciting her poems in hundreds of cities and towns to audiences which made up a Seg idas of the Canadian peo- ple. She toured British Columbia during the gold rush days in 1895 and after. There was hardly a mining town in which she did not hold her audiences spellbound with her poems and _ artistry. Friends who travelled with her relate how she would sit and listen to the stories of the miners. The love she had for people was reciprocated. After she mov- -ed to Vancouver, which city she loved and adopted as her home, she ‘faced considerable financial hardships, followed by ill-health. But her many friends came to her aid. : The deep affection the people had for her was shown at her death. Hundreds of people filed by her coffin and thousands took part of the funeral procession. Vancouver City Council closed its offices that’day and all over the city flags flew at half mast. Sel-- dom had such respect and love for an artist been shown by peo- ple anywhere. ¢ Pauline Johnson was a true daughter of our Canadian soil. Her life, her poems, her legends are part of the Canadian saga. They are part of our progressive national traditions which Cana- dians must claim as their own, and in so doing restore them to their proper place in our history _and culture. . PACIFIC TRIBUNE — MARCH 5, 1954 — PAGE 9