COMMENT Book Review by Michael Huber LOW FIRE by Leon I. Nigrosh is an attempt of develop awareness of and appreciation for historical and contemporary low-fire ceramic processes. The contemporary potter has available the whole range from low-fire to high porcelain temperatures. Many books have been written about the high-fire techniques. Leon Nigrosh sets out to re-introduce the Low-fire ceramic processes. Each of his sixteen chapters takes up a different technique that has its own inherent aesthetic to be sought out, defined, worked with, and admired: Unfired Clay Choosing a Clay Primitive Firing Sawdust Firing Raku Vapor Glazing Egyptian Paste Earthenware Nonfired Finishes Terra Sigillata Underglaze Majolica China Painting Luster Glaze Decals Photoclay. The book is an important source of information for the potter who is looking for a wider range of knowledge and choice in ceramic processes. Many photographs illustrate the text and show examples of works made with the ceramic processes being discussed. A range of recipes and formulas are iven when they can serve to help the potter to egin a personal exploration of a technique. The book covers much material, uses much information from well known potters, and is well written. Low Fire: Other Ways to Work in Clay by Leon I Nigrosh. 103 pages. 1980, Davis Publications, Inc., Worcester, Massachusetts. CANS16.00. 6